Statements (56)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:Artist
|
| gptkbp:associatedWith |
Ming Dynasty
|
| gptkbp:birthDate |
1550
|
| gptkbp:contribution |
Cultural_heritage_of_China
Development_of_Kunqu_opera |
| gptkbp:deathDate |
1616
|
| gptkbp:famousFor |
Emotional depth
Symbolism Character development Philosophical themes Lyricism Innovative storytelling Poetic dialogue Cultural commentary Cultural symbolism Use of allegory Use of metaphors Complex plots Exploration of human emotions Exploration of dreams Recognition in world literature Integration of music and drama Influence on later playwrights Influence on global theatre movements Historical context in plays Rich character arcs Exploration of societal issues Cinematic adaptations of works Cultural exchanges through theatre Inspiration for contemporary playwrights Legacy in modern theatre Promotion of Kunqu as an art form Themes of love and longing Recognition_in_academic_studies Contribution_to_Chinese_cultural_identity Cultural_significance_in_modern_China Impact_on_Chinese_literature_education Influence_on_Asian_arts Revival_of_traditional_Chinese_theatre |
| gptkbp:genre |
Drama
Literature |
| https://www.w3.org/2000/01/rdf-schema#label |
Tang Xianzu
|
| gptkbp:influenced |
gptkb:Chinese_theatre
Literature_in_China |
| gptkbp:influencedBy |
Li Bai
Qu Yuan |
| gptkbp:knownFor |
Romantic plays
|
| gptkbp:language |
Chinese
|
| gptkbp:nationality |
Chinese
|
| gptkbp:notableWork |
Peony Pavilion
The Dream of the Red Chamber The Purple Hairpin |
| gptkbp:occupation |
gptkb:Poet
Playwright |
| gptkbp:placeOfBirth |
gptkb:Jiangsu
|
| gptkbp:placeOfDeath |
gptkb:Jiangsu
|