Statements (251)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
gptkb:character |
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Christopher_Marlowe
|
| gptkbp:adaptation |
gptkb:television_series
gptkb:opera gptkb:novel gptkb:film stage adaptations radio plays |
| gptkbp:adapted_into |
gptkb:opera
gptkb:video_game gptkb:film musicals graphic novels theatre productions ballets various performances |
| gptkbp:appears_in |
gptkb:Tamburlaine,_Part_1
gptkb:Tamburlaine,_Part_2 |
| gptkbp:associated_with |
the Renaissance
|
| gptkbp:character |
gptkb:Mardonius
gptkb:Agamemnon gptkb:Bajazet gptkb:Mithridates gptkb:Usumcasane gptkb:Zenocrate gptkb:the_King_of_the_Balearics gptkb:the_King_of_the_Britons gptkb:the_King_of_the_Huns gptkb:the_King_of_the_Manx gptkb:the_King_of_the_Sabines gptkb:Tamerlane Meander Almeda Amanus Callapine Cosroe Meleander Theridamas the Emperor of Persia the King of Arabia the King of Scythia the King of the Ascension Islands the King of the Azores the King of the Bithynians the King of the Bouvet Island the King of the Canaries the King of the Cape Verde Islands the King of the Cappadocians the King of the Carians the King of the Cilicians the King of the Cornish the King of the Corsicans the King of the Cretans the King of the Cyprians the King of the Egyptians the King of the Etruscans the King of the Falkland Islands the King of the Faroe Islands the King of the Galatians the King of the Gauls the King of the Goths the King of the Greeks the King of the Hebrides the King of the Indians the King of the Irish the King of the Latins the King of the Lycians the King of the Lydians the King of the Medes the King of the Orkneys the King of the Pamphylians the King of the Paphlagonians the King of the Persians the King of the Peter I Island the King of the Phrygians the King of the Romans the King of the Samnites the King of the Sardinians the King of the Scillians the King of the Scots the King of the Shetlands the King of the Sicilians the King of the South Georgia Islands the King of the South Sandwich Islands the King of the Thracians the King of the Tristan da Cunha Islands the King of the Turks the King of the Umbrians the King of the Welsh |
| gptkbp:character_development |
gptkb:political_organization
conquest rise to power |
| gptkbp:contains |
gptkb:historical_figure
dramatic irony monologues epic battles soliloquies tragic elements |
| gptkbp:created_by |
gptkb:Christopher_Marlowe
|
| gptkbp:critical_reception |
well-received
|
| gptkbp:cultural_impact |
studied in literature courses
inspired later playwrights influenced Shakespeare |
| gptkbp:depicts |
the fall of empires
the conquest of nations the rise of a conqueror |
| gptkbp:examines |
the role of fate
the role of free will |
| gptkbp:explores |
the consequences of hubris
the limits of human ambition the nature of tyranny the limits of ambition |
| gptkbp:features |
poetic language
rhetorical devices the use of blank verse the character Callapine the character Tamburlaine the character Theridamas the character Usumcasane the character Zenocrate |
| gptkbp:first_performance |
1587
|
| gptkbp:followed_by |
his sons
|
| gptkbp:follows |
gptkb:Tamburlaine,_Part_1
gptkb:Tamburlaine,_Part_2 Tamburlaine, Part One Tamburlaine, Part Two |
| gptkbp:genre |
gptkb:earthquake
|
| gptkbp:has_influence_on |
gptkb:literary_work
gptkb:film modern theatre Elizabethan drama |
| https://www.w3.org/2000/01/rdf-schema#label |
Tamburlaine
|
| gptkbp:influenced |
Elizabethan drama
|
| gptkbp:influenced_by |
gptkb:historical_figure
classical literature |
| gptkbp:inspired |
later playwrights
|
| gptkbp:is_a |
gptkb:character
|
| gptkbp:is_associated_with |
the theme of fate
the theme of ambition the theme of power Marlowe's works |
| gptkbp:is_character_in |
gptkb:church
|
| gptkbp:is_considered |
a classic of English literature
a precursor to Shakespeare |
| gptkbp:is_considered_as |
a tragic hero
a significant work in English literature a precursor to Shakespeare's works a classic of the Renaissance period an important work in the development of tragedy |
| gptkbp:is_divided_into |
two parts
|
| gptkbp:is_explored_in |
gptkb:archaeological_site
gptkb:literary_work gptkb:concept psychological analysis rhetorical analysis thematic studies cultural studies textual analysis performance studies historical context analysis interpretation studies adaptation studies sociopolitical analysis character studies critical reception analysis cultural impact analysis historical impact analysis adaptation interpretation studies artistic impact analysis artistic interpretation studies audience reception analysis cultural interpretation studies dramatic impact analysis dramatic interpretation studies dramatic structure analysis historical interpretation studies literary context analysis literary impact analysis literary interpretation studies performance interpretation studies philosophical interpretation studies psychological interpretation studies sociopolitical interpretation studies theatrical impact analysis theatrical interpretation studies thematic context analysis thematic interpretation studies |
| gptkbp:is_influenced_by |
gptkb:historical_figure
|
| gptkbp:is_known_for |
its complex characters
its historical context its rich language his declaration of power the scourge of God |
| gptkbp:is_opposed_by |
gptkb:the_Ottoman_Empire
the Persian Empire |
| gptkbp:is_part_of |
the Renaissance literature
the canon of English drama |
| gptkbp:is_represented_in |
gptkb:various_adaptations
|
| gptkbp:is_studied_in |
literature courses
theatre studies |
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Tamburlaine
|
| gptkbp:notable_for |
his military prowess
its character development its complex characters its historical context his eloquent speeches its exploration of free will his ambition its exploration of fate its exploration of power dynamics its dramatic structure its blank verse its ambitious protagonist |
| gptkbp:notable_quote |
“ I am Tamburlaine, the scourge of God.”
|
| gptkbp:performance |
performed in the 20th century
performed in the 21st century |
| gptkbp:performed_by |
gptkb:The_Rose_Theatre
gptkb:The_Globe_Theatre gptkb:the_English_Renaissance internationally in schools in various adaptations various theatre companies in universities |
| gptkbp:portrayed_by |
gptkb:theatre
a tragic figure a tyrant a charismatic leader a ruthless conqueror the conflict between East and West |
| gptkbp:precedes |
gptkb:Tamburlaine,_Part_2
|
| gptkbp:published_by |
gptkb:Edward_Blount
1590 |
| gptkbp:represents |
the archetype of the tragic hero
|
| gptkbp:set_in |
gptkb:Central_Asia
the 14th century the context of the Silk Road |
| gptkbp:setting |
gptkb:Central_Asia
|
| gptkbp:symbolizes |
the rise and fall of a ruler
Marlowe's style |
| gptkbp:themes |
gptkb:Order
gptkb:superhero violence ambition conquest |
| gptkbp:translated_into |
multiple languages
|
| gptkbp:uses |
historical sources
|
| gptkbp:written_by |
gptkb:Christopher_Marlowe
|