gptkbp:instance_of
|
gptkb:poetry
|
gptkbp:adaptation
|
gptkb:films
gptkb:film
gptkb:stage_play
musicals
stage plays
|
gptkbp:adaptations
|
gptkb:film_adaptations
gptkb:musical_composition
gptkb:theatrical_performances
musical adaptations
|
gptkbp:adapted_into
|
gptkb:animated_film
gptkb:short_stories
gptkb:artworks
|
gptkbp:author
|
gptkb:Robert_Burns
|
gptkbp:character
|
gptkb:Souter_Johnnie
gptkb:Cutty_Sark
the devil
the witches
|
gptkbp:contains_song
|
gptkb:11
AA BB
|
gptkbp:critical_reception
|
widely acclaimed
well-received
studied in literature courses
analyzed in literature courses
|
gptkbp:cultural_impact
|
gptkb:curriculum
gptkb:art
gptkb:festivals
gptkb:folk_music
gptkb:literary_analysis
gptkb:theatrical_performances
Scottish literature
Scottish identity
poetry recitals
inspired adaptations
public readings
influenced Scottish literature
referenced in popular culture
featured in performances
literary adaptations
|
gptkbp:cultural_references
|
gptkb:films
gptkb:television_shows
gptkb:literature
|
gptkbp:cultural_significance
|
Scottish culture
Scottish identity
|
gptkbp:famous_quote
|
“ Weel done, Cutty Sark!”
“ The best laid schemes o' mice an' men”
" The best laid schemes o' mice an' men"
" Weel done, Cutty Sark!"
|
gptkbp:form
|
verse
|
gptkbp:genre
|
gptkb:poetry
|
gptkbp:has_units
|
iambic tetrameter
|
gptkbp:historical_context
|
18th century Scotland
|
https://www.w3.org/2000/01/rdf-schema#label
|
Tam o' Shanter
|
gptkbp:influence
|
gptkb:artists
gptkb:Writer
gptkb:poet
gptkb:musicians
inspired artists
inspired writers
inspired poets
|
gptkbp:influenced
|
gptkb:Writer
gptkb:poet
gptkb:musicians
|
gptkbp:influenced_by
|
Scottish culture
Scottish ballads
|
gptkbp:influences
|
Scottish literature
|
gptkbp:inspiration
|
gptkb:folklore
|
gptkbp:is_celebrated_in
|
gptkb:festivals
Scottish culture
literary circles
|
gptkbp:language
|
English
|
gptkbp:length
|
approximately 200 lines
|
gptkbp:literary_devices
|
gptkb:metaphor
gptkb:personification
imagery
alliteration
rhyme
|
gptkbp:main_character
|
gptkb:Tam_o'_Shanter
|
gptkbp:mood
|
dark
supernatural
humorous
adventurous
|
gptkbp:moral
|
beware of excess
the clash between reality and the supernatural
the folly of drunkenness
|
gptkbp:narrative_style
|
gptkb:comics
first-person
dramatic
humorous
dramatic monologue
first-person narration
|
gptkbp:notable_character
|
gptkb:Souter_Johnnie
the witch Nannie
|
gptkbp:notable_characters
|
gptkb:Souter_Johnnie
the devil
the witches
Nannie
|
gptkbp:notable_quote
|
Weel done, Cutty Sark!
' The best laid schemes o' mice an' men'
' Auld Nick, in shape o' beast'
' Tam saw an unco sight'
' The wind blew as if it blew its last'
' Weel done, Cutty Sark!'
|
gptkbp:performed_at
|
gptkb:Burns_Night
|
gptkbp:performed_in
|
literary festivals
poetry slams
dramatic readings
|
gptkbp:published_by
|
gptkb:John_Wilson
|
gptkbp:published_in
|
1790
1791
|
gptkbp:related_to
|
gptkb:Halloween
|
gptkbp:related_works
|
gptkb:The_Epistle_to_Ramsay
gptkb:Auld_Lang_Syne
gptkb:The_Cotter's_Saturday_Night
gptkb:To_a_Mouse
To a Louse
|
gptkbp:setting
|
Auld Alloway
|
gptkbp:structure
|
stanzas
rhymed verse
|
gptkbp:symbolism
|
the journey
the moon
the horse
the journey home
the witches
the drink
|
gptkbp:theme
|
the consequences of drunkenness
|
gptkbp:bfsParent
|
gptkb:Robert_Burns
gptkb:Rob_Burns
|
gptkbp:bfsLayer
|
5
|