Statements (31)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:film
|
| gptkbp:alsoKnownAs |
gptkb:The_Round-Up
|
| gptkbp:award |
gptkb:Hungarian_Film_Critics_Award
|
| gptkbp:cinematography |
gptkb:Tamás_Somló
|
| gptkbp:countryOfOrigin |
gptkb:Hungary
|
| gptkbp:director |
gptkb:Miklós_Jancsó
|
| gptkbp:genre |
drama
historical drama |
| https://www.w3.org/2000/01/rdf-schema#label |
Szegénylegények
|
| gptkbp:language |
Hungarian
|
| gptkbp:mainActor |
gptkb:János_Görbe
gptkb:András_Kozák gptkb:Tibor_Molnár gptkb:Zoltán_Latinovits gptkb:Gábor_Agárdy |
| gptkbp:musicBy |
gptkb:Zoltán_Jeney
|
| gptkbp:notableFor |
minimalist style
long takes |
| gptkbp:productionCompany |
gptkb:Mafilm
|
| gptkbp:releaseYear |
1966
|
| gptkbp:runtime |
90 minutes
|
| gptkbp:screenedAt |
gptkb:Cannes_Film_Festival_1966
|
| gptkbp:screenwriter |
gptkb:Gyula_Hernádi
|
| gptkbp:setIn |
Hungarian plains
|
| gptkbp:setInPeriod |
post-1848 Hungarian Revolution
|
| gptkbp:theme |
betrayal
power surveillance oppression |
| gptkbp:bfsParent |
gptkb:The_Round-Up
|
| gptkbp:bfsLayer |
7
|