|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:boxOfficeGross
|
$4.4 million
|
|
gptkbp:budget
|
$20 million
|
|
gptkbp:cinematography
|
gptkb:Frederick_Elmes
|
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:criticalReception
|
mixed to positive
|
|
gptkbp:director
|
gptkb:Charlie_Kaufman
|
|
gptkbp:distributor
|
gptkb:Sony_Pictures_Classics
|
|
gptkbp:editingBy
|
gptkb:Robert_Frazen
|
|
gptkbp:genre
|
drama
psychological drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Synecdoche, New York
|
|
gptkbp:language
|
English
|
|
gptkbp:mainCharacter
|
gptkb:Caden_Cotard
gptkb:Philip_Seymour_Hoffman
|
|
gptkbp:musicBy
|
gptkb:Jon_Brion
|
|
gptkbp:nominatedFor
|
gptkb:Independent_Spirit_Award_for_Best_Male_Lead_(Philip_Seymour_Hoffman)
gptkb:Independent_Spirit_Award_for_Best_Supporting_Female_(Rosemarie_DeWitt)
gptkb:Independent_Spirit_Award_for_Best_Supporting_Female_(Samantha_Morton)
gptkb:Independent_Spirit_Award_for_Best_First_Screenplay
gptkb:Independent_Spirit_Award_for_Best_First_Feature
gptkb:Palme_d'Or_at_Cannes_Film_Festival
|
|
gptkbp:notableFor
|
complex narrative structure
directorial debut of Charlie Kaufman
|
|
gptkbp:notableWinner
|
gptkb:National_Board_of_Review_Top_Ten_Independent_Films
|
|
gptkbp:producer
|
gptkb:Anthony_Bregman
gptkb:Charlie_Kaufman
gptkb:Spike_Jonze
|
|
gptkbp:productionCompany
|
gptkb:Sony_Pictures_Classics
gptkb:Likely_Story
|
|
gptkbp:releaseDate
|
2008-05-23
|
|
gptkbp:runtime
|
124 minutes
|
|
gptkbp:setting
|
gptkb:Schenectady,_New_York
|
|
gptkbp:starring
|
gptkb:Emily_Watson
gptkb:Dianne_Wiest
gptkb:Michelle_Williams
gptkb:Philip_Seymour_Hoffman
gptkb:Catherine_Keener
gptkb:Hope_Davis
gptkb:Samantha_Morton
gptkb:Jennifer_Jason_Leigh
|
|
gptkbp:status
|
yes
|
|
gptkbp:theme
|
gptkb:identity
existentialism
mortality
relationships
art and life
|
|
gptkbp:writer
|
gptkb:Charlie_Kaufman
|
|
gptkbp:bfsParent
|
gptkb:Charlie_Kaufman
|
|
gptkbp:bfsLayer
|
4
|