Symphony No. 2 in C minor (Resurrection)
GPTKB entity
Statements (65)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:symphony
|
| gptkbp:audience |
often emotional and profound
often transformative |
| gptkbp:choral_finale |
features soprano and alto soloists
|
| gptkbp:composed_by |
gptkb:Gustav_Mahler
|
| gptkbp:composer |
gptkb:Gustav_Mahler
|
| gptkbp:critical_reception |
generally positive
|
| gptkbp:cultural_impact |
widely performed and recorded
|
| gptkbp:cultural_references |
featured in films and media
|
| gptkbp:cultural_significance |
important in the symphonic repertoire
|
| gptkbp:dedicated_to |
the memory of the dead
|
| gptkbp:dedication |
to the memory of the dead
|
| gptkbp:duration |
approximately 80 minutes
|
| gptkbp:finale_structure |
grand and climactic
|
| gptkbp:has_function |
five movements
|
| gptkbp:historical_significance |
one of Mahler's most popular works
|
| https://www.w3.org/2000/01/rdf-schema#label |
Symphony No. 2 in C minor (Resurrection)
|
| gptkbp:influence |
20th-century classical music
|
| gptkbp:influenced_artists |
subsequent generations
|
| gptkbp:influenced_by |
Romantic music
|
| gptkbp:inspiration |
philosophical themes of life and death
|
| gptkbp:instruments |
strings, woodwinds, brass, percussion, and voices
|
| gptkbp:is_considered |
a landmark in symphonic literature
|
| gptkbp:is_known_for |
its emotional depth
|
| gptkbp:is_part_of |
gptkb:Mahler's_symphonic_cycle
|
| gptkbp:key |
C minor
|
| gptkbp:mahler's_approach |
symphonic poem style
|
| gptkbp:mahler's_biography |
reflects his personal struggles
|
| gptkbp:mahler's_influences |
Beethoven and Wagner
|
| gptkbp:mahler's_orchestration |
rich and detailed
|
| gptkbp:mahler's_second_symphony |
part of a cycle of symphonies
|
| gptkbp:mahler's_style |
late-Romantic
|
| gptkbp:mahler's_symphonic_cycle |
part of his larger symphonic narrative
|
| gptkbp:mahler's_vision |
exploration of existential themes
|
| gptkbp:movement |
gptkb:Movement_1
gptkb:5 |
| gptkbp:music_style |
complex and innovative
extensively studied by musicologists |
| gptkbp:notable_conductors |
many renowned conductors
|
| gptkbp:notable_performances |
gptkb:Vienna_Philharmonic
notable conductors have shaped interpretations |
| gptkbp:orchestration |
large orchestra
|
| gptkbp:performance |
requires large forces
|
| gptkbp:performance_venue |
concert halls worldwide
|
| gptkbp:performed_by |
orchestras worldwide
|
| gptkbp:performers |
symphony orchestra and choir
|
| gptkbp:premiere |
December 13, 1895
|
| gptkbp:premiere_location |
gptkb:Berlin
|
| gptkbp:premiered_on |
December 13, 1895
|
| gptkbp:record_label |
various labels
|
| gptkbp:recordings |
numerous
many famous recordings exist |
| gptkbp:second_movement |
gptkb:Andante
gptkb:Finale gptkb:Scherzo gptkb:Urlicht Allegro maestoso |
| gptkbp:technique |
significant in classical music history
|
| gptkbp:text |
gptkb:Friedrich_Gottlieb_Klopstock
|
| gptkbp:text_in_finale |
' Die Auferstehung'
|
| gptkbp:thematic_element |
redemption and resurrection
|
| gptkbp:theme |
recurring motifs throughout the symphony
|
| gptkbp:uses |
large orchestra
|
| gptkbp:bfsParent |
gptkb:Gustav_Mahler
|
| gptkbp:bfsLayer |
4
|