gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
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gptkb:Lady_Vengeance
gptkb:The_Vengeance_Trilogy
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gptkbp:art_style
|
symbolic imagery
stylized violence
dark color palette
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gptkbp:awards
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Best Director at Cannes
Best Director at Cannes Film Festival
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gptkbp:based_on
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gptkb:The_Count_of_Monte_Cristo
original screenplay
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gptkbp:box_office
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$2.5 million
$3 million
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gptkbp:budget
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$1.5 million
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gptkbp:character_development
|
gptkb:moral_ambiguity
complex characters
tragic outcomes
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gptkbp:cinematography
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gptkb:Jang_Joon-hwan
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gptkbp:color
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gptkb:color
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gptkbp:country
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gptkb:Monarch
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gptkbp:critical_reception
|
positive
mixed reviews
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gptkbp:cultural_impact
|
cult following
influenced filmmakers
influenced other filmmakers
inspired remakes
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gptkbp:directed_by
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gptkb:Park_Chan-wook
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gptkbp:distributor
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gptkb:CJ_Entertainment
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gptkbp:edited_by
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gptkb:Kim_Sang-bum
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gptkbp:film_festival
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gptkb:2002_Cannes_Film_Festival
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gptkbp:followed_by
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gptkb:Lady_Vengeance
gptkb:Oldboy
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gptkbp:genre
|
gptkb:film
|
https://www.w3.org/2000/01/rdf-schema#label
|
Sympathy for Mr. Vengeance
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gptkbp:influenced_by
|
gptkb:The_Girl_with_the_Dragon_Tattoo
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gptkbp:influences
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gptkb:South_Korean_cinema
Asian cinema
neo-noir
revenge films
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gptkbp:language
|
gptkb:Korean
emotional
minimalistic
poignant
|
gptkbp:legacy
|
notable for its themes
|
gptkbp:main_character
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gptkb:Ryu
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gptkbp:music_by
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gptkb:Yeong-wook_Jo
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gptkbp:narrative_style
|
non-linear
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gptkbp:notable_appearance
|
the kidnapping scene
|
gptkbp:notable_feature
|
social commentary
|
gptkbp:plot
|
a man kidnaps a girl to pay for his sister's kidney transplant
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gptkbp:premiered_on
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gptkb:film_festival
|
gptkbp:produced_by
|
gptkb:Lee_Tae-hun
|
gptkbp:rating
|
7.6/10
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gptkbp:release_date
|
January 31, 2002
May 21, 2002
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gptkbp:release_year
|
gptkb:2002
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gptkbp:runtime
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129 minutes
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gptkbp:screenplay_by
|
Lee Mu-yeol
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gptkbp:series
|
gptkb:Vengeance_Trilogy
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gptkbp:soundtrack
|
by Yeong-wook Jo
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gptkbp:starring
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gptkb:Park_Hae-il
gptkb:Bae_Doona
gptkb:Lee_Byung-hun
gptkb:Shin_Ha-kyun
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gptkbp:themes
|
gptkb:revenge
gptkb:Saint
class struggle
morality
|