|
gptkbp:instanceOf
|
gptkb:person
gptkb:screenwriter
novelist
playwright
|
|
gptkbp:activeYearsStart
|
1980s
|
|
gptkbp:awardReceived
|
gptkb:Emmy_Award
gptkb:Guggenheim_Fellowship
gptkb:MacArthur_Fellowship
|
|
gptkbp:birthDate
|
1963-05-10
|
|
gptkbp:birthPlace
|
gptkb:Fort_Knox,_Kentucky,_USA
|
|
gptkbp:education
|
gptkb:Mount_Holyoke_College
|
|
gptkbp:ethnicity
|
gptkb:African-American
|
|
gptkbp:genre
|
gptkb:theatre
drama
fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Suzan-Lori Parks
|
|
gptkbp:influencedBy
|
gptkb:James_Baldwin
gptkb:Samuel_Beckett
gptkb:Toni_Morrison
gptkb:William_Faulkner
|
|
gptkbp:language
|
English
|
|
gptkbp:memberOf
|
gptkb:American_Academy_of_Arts_and_Sciences
|
|
gptkbp:nationality
|
gptkb:American
|
|
gptkbp:notableWork
|
gptkb:365_Days/365_Plays
gptkb:Father_Comes_Home_From_the_Wars_(Parts_1,_2_&_3)
gptkb:Getting_Mother's_Body
gptkb:Topdog/Underdog
gptkb:The_Red_Letter_Plays
In the Blood
|
|
gptkbp:occupation
|
gptkb:screenwriter
novelist
playwright
|
|
gptkbp:residence
|
gptkb:New_York_City
|
|
gptkbp:spouse
|
gptkb:Paul_Oscher
|
|
gptkbp:studiedIn
|
gptkb:James_Baldwin
|
|
gptkbp:website
|
https://www.suzanloriparks.com/
|
|
gptkbp:wrote
|
gptkb:Girl_6
gptkb:Venus
gptkb:365_Days/365_Plays
gptkb:Father_Comes_Home_From_the_Wars_(Parts_1,_2_&_3)
gptkb:Getting_Mother's_Body
gptkb:Imperceptible_Mutabilities_in_the_Third_Kingdom
gptkb:Native_Son_(screenplay_adaptation)
gptkb:The_America_Play
gptkb:The_Death_of_the_Last_Black_Man_in_the_Whole_Entire_World
gptkb:The_Sinner's_Place
gptkb:Their_Eyes_Were_Watching_God_(screenplay_adaptation)
gptkb:Topdog/Underdog
gptkb:Unchain_My_Heart:_The_Ray_Charles_Musical
gptkb:The_Red_Letter_Plays
Fucking A
In the Blood
|
|
gptkbp:bfsParent
|
gptkb:Pulitzer_Prizes_in_Drama
gptkb:International_Ibsen_Award
gptkb:Steinhardt_School_of_Culture,_Education,_and_Human_Development
gptkb:The_Gershwins'_Porgy_and_Bess
gptkb:Genius:_Aretha
gptkb:The_United_States_vs._Billie_Holiday
|
|
gptkbp:bfsLayer
|
5
|