Statements (91)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:musical_composition
|
gptkbp:boulez's_awards |
gptkb:Commandeur_des_Arts_et_des_Lettres
gptkb:Grammy_Award gptkb:Royal_Philharmonic_Society_Gold_Medal gptkb:Grosser_Musikpreis_der_Stadt_Berlin Honorary Member of the Royal Academy of Music Honorary Member of the American Academy of Arts and Letters Honorary Doctorate from Yale University Honorary Member of the Accademia Nazionale di Santa Cecilia Honorary Member of the Royal Philharmonic Society |
gptkbp:boulez's_intention |
explore timbre and texture
|
gptkbp:boulez's_legacy |
important figure in 20th-century music
|
gptkbp:boulez's_philosophy |
music as a living art
|
gptkbp:boulez's_technique |
uses extended techniques
uses complex rhythms uses microtonality |
gptkbp:composer |
gptkb:Pierre_Boulez
|
gptkbp:critical_reception |
generally positive
|
gptkbp:cultural_impact |
influenced contemporary composers
|
gptkbp:dedicated_to |
gptkb:Igor_Stravinsky
|
gptkbp:dedication |
to the memory of Igor Stravinsky
to the memory of Edgard Varèse |
gptkbp:duration |
approximately 20 minutes
approximately 30 minutes |
gptkbp:genre |
contemporary classical music
|
https://www.w3.org/2000/01/rdf-schema#label |
Sur Incises
|
gptkbp:influenced_artists |
gptkb:Brian_Ferneyhough
gptkb:Louis_Andriessen gptkb:Kaija_Saariaho gptkb:Helmut_Lachenmann gptkb:Thomas_Adès |
gptkbp:influenced_by |
Stravinsky's works
|
gptkbp:influences |
gptkb:Edgard_Varèse
serialism post-serialism |
gptkbp:inspired_by |
the concept of incises
|
gptkbp:instruments |
gptkb:chamber_music
gptkb:piano gptkb:harp percussion |
gptkbp:notable_features |
polyrhythms
complex rhythms thematic development dynamic contrasts extended techniques layered textures dramatic contrasts use of silence textural contrasts exploration of space use of microtones exploration of timbre interplay of instruments motivic transformation use of electronics |
gptkbp:notable_performances |
gptkb:New_York_Philharmonic
gptkb:Orchestre_de_Paris gptkb:BBC_Symphony_Orchestra |
gptkbp:notable_recordings |
conducted by Pierre Boulez
conducted by Michael Tilson Thomas conducted by Daniel Barenboim conducted by Simon Rattle conducted by Esa-Pekka Salonen |
gptkbp:orchestration |
for 3 pianos, 3 harps, and percussion
|
gptkbp:performance |
requires improvisation elements
|
gptkbp:performed_by |
various orchestras
3 harps 3 percussionists 3 pianos |
gptkbp:performers |
3 harps
3 percussionists 3 pianos |
gptkbp:premiere |
gptkb:1973
gptkb:1996 gptkb:1998 |
gptkbp:premiere_date |
gptkb:1973
|
gptkbp:premiere_location |
gptkb:The_Royal_Festival_Hall,_London
Cité de la Musique, Paris |
gptkbp:publisher |
Durand
|
gptkbp:recordings |
available on CD
available on various labels |
gptkbp:related_works |
gptkb:Le_Marteau_sans_maître
gptkb:Notations |
gptkbp:structure |
three movements
|
gptkbp:style |
avant-garde
serialism |
gptkbp:year |
gptkb:1996
|
gptkbp:year_composed |
gptkb:1970
gptkb:1996 |
gptkbp:bfsParent |
gptkb:Pierre_Boulez
|
gptkbp:bfsLayer |
5
|