Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
musical composition
|
| gptkbp:awards |
Grammy_Award_nomination
|
| gptkbp:built |
1970
|
| gptkbp:characteristics |
complex rhythms
extended techniques textural variety |
| gptkbp:composer |
gptkb:Pierre_Boulez
|
| gptkbp:conducts |
gptkb:Daniel_Barenboim
gptkb:Simon_Rattle |
| gptkbp:critical_reception |
generally positive
|
| gptkbp:cultural_impact |
significant in contemporary music
|
| gptkbp:dedication |
to_the_memory_of_Igor_Stravinsky
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:educational_programs |
studied in music programs
analyzed in music theory courses |
| gptkbp:filmingLocation |
gptkb:New_York_City
|
| gptkbp:genre |
contemporary classical music
|
| gptkbp:historicalContext |
rise of avant-garde movements
development of electronic music post-World_War_II_music |
| https://www.w3.org/2000/01/rdf-schema#label |
Sur Incises
|
| gptkbp:influenced |
gptkb:Helmut_Lachenmann
Kaija Saariaho |
| gptkbp:influences |
serialism
post-serialism |
| gptkbp:inspiration |
new compositions by contemporary composers
|
| gptkbp:instrument |
piano
percussion ensemble |
| gptkbp:involved |
large ensemble
|
| gptkbp:legacy |
considered a landmark work
influential in the development of ensemble music |
| gptkbp:notable_performers |
gptkb:Orchestre_de_Paris
gptkb:BBC_Symphony_Orchestra |
| gptkbp:notableEvent |
gptkb:London_Sinfonietta
Ensemble InterContemporain |
| gptkbp:notableFeature |
performed worldwide
|
| gptkbp:performance |
requires skilled musicians
complex coordination |
| gptkbp:premiere |
1973
|
| gptkbp:publisher |
Durand
|
| gptkbp:recordings |
available on streaming platforms
available on CD |
| gptkbp:relatedPatent |
Notations
Le Marteau sans Maître |
| gptkbp:structureType |
three movements
|
| gptkbp:style |
avant-garde
|
| gptkbp:thematicElement |
exploration of sound
contrast of dynamics interaction between instruments |