Statements (52)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
|
| gptkbp:adaptation |
film rights sold
|
| gptkbp:author |
gptkb:Gary_Shteyngart
|
| gptkbp:awards |
National Book Award finalist
|
| gptkbp:character_development |
Lenny's growth
Eunice's journey |
| gptkbp:character_relationships |
Eunice's friendships
Lenny and Eunice's romance Lenny's family dynamics |
| gptkbp:conflict |
personal vs societal
romantic struggles |
| gptkbp:critical_reception |
generally positive
|
| gptkbp:cultural_impact |
discussed in academic circles
influenced contemporary literature reflected in popular media |
| gptkbp:ended |
reflects societal issues
ambiguous conclusion |
| gptkbp:genre |
gptkb:satire
|
| https://www.w3.org/2000/01/rdf-schema#label |
Super Sad True Love Story
|
| gptkbp:influences |
gptkb:Kurt_Vonnegut
gptkb:George_Orwell gptkb:Philip_K._Dick |
| gptkbp:isbn |
978-1-4000-6880-4
|
| gptkbp:language |
English
|
| gptkbp:main_character |
Eunice Park
Lenny Abramov |
| gptkbp:motif |
gptkb:Crisis_intervention
youth culture media obsession |
| gptkbp:narrative_style |
first-person
stream of consciousness epistolary format |
| gptkbp:page_count |
gptkb:368
|
| gptkbp:plot |
multiple perspectives
linear narrative |
| gptkbp:published |
gptkb:2010
|
| gptkbp:publisher |
gptkb:Random_House
|
| gptkbp:reader_demographic |
evokes empathy
provokes thought |
| gptkbp:setting |
gptkb:New_York_City
post-apocalyptic society near-future America |
| gptkbp:style |
dark humor
dystopian elements |
| gptkbp:symbolism |
the 'apparat' device
the 'book' as a relic |
| gptkbp:themes |
gptkb:identity
gptkb:technology love consumerism |
| gptkbp:bfsParent |
gptkb:Gary_Shteyngart
|
| gptkbp:bfsLayer |
7
|