Sultan Muhammad Qutb Shah CXXXII
GPTKB entity
Statements (49)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:Sultan
|
| gptkbp:administrativeDivision |
Centralized governance
|
| gptkbp:alliance |
Allied_with_local_chieftains
|
| gptkbp:birthYear |
1600
|
| gptkbp:capital |
gptkb:Golconda
|
| gptkbp:conflict |
Mughal_invasion
|
| gptkbp:culturalContribution |
Encouraged architecture
Supported music and dance Patron_of_arts Promoted_Persian_literature |
| gptkbp:culturalHeritage |
Influence_of_Persian_culture
Influence_of_Indian_culture |
| gptkbp:deathYear |
1642
|
| gptkbp:descendant |
gptkb:Qutb_Shahi_rulers
|
| gptkbp:diplomaticRelations |
Maintained_relations_with_the_Portuguese
Negotiated_with_the_Mughals |
| gptkbp:dynasty |
gptkb:Qutb_Shahi_dynasty
|
| gptkbp:father |
gptkb:Sultan_Muhammad_Qutb_Shah_CXXXI
|
| gptkbp:historicalEvent |
gptkb:Mughal_conquest_of_Golconda
Establishment of trade routes Siege of Golconda Battle of Golconda Legacy of the Qutb Shahi dynasty Rise of Hyderabad as a cultural center Fall_of_Golconda Political_alliances_in_the_Deccan Cultural_patronage_in_the_Deccan Cultural_renaissance_in_Golconda Decline_of_the_Qutb_Shahi_dynasty Artistic_developments_in_Golconda Cultural_interactions_with_the_Mughals Decline_of_regional_powers_in_the_Deccan Impact_on_modern_Hyderabad Influence_of_the_Deccan_on_Mughal_art |
| gptkbp:historicalPeriod |
gptkb:Deccan_Sultanates
|
| gptkbp:historicalSignificance |
gptkb:Last_ruler_of_the_Qutb_Shahi_dynasty
|
| https://www.w3.org/2000/01/rdf-schema#label |
Sultan Muhammad Qutb Shah CXXXII
|
| gptkbp:language |
gptkb:Persian
|
| gptkbp:legacy |
Cultural_heritage_of_Hyderabad
|
| gptkbp:mother |
gptkb:Queen_of_Golconda
|
| gptkbp:notableEvent |
gptkb:Golconda_Fort
gptkb:Qutb_Shahi_tombs Macca Masjid |
| gptkbp:predecessor |
gptkb:Sultan_Muhammad_Qutb_Shah_CXXXI
|
| gptkbp:reign |
1626
|
| gptkbp:reignEnd |
1642
|
| gptkbp:religion |
Islam
|
| gptkbp:sells |
Increased_trade_with_Europe
|
| gptkbp:successor |
gptkb:Sultan_Muhammad_Qutb_Shah_CXXXIII
|