String Quartet in E flat major
GPTKB entity
Statements (56)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:String_Quartet
|
| gptkbp:analysis |
Often analyzed in music theory courses
|
| gptkbp:artistic_influence |
Influenced the development of the string quartet genre
|
| gptkbp:audience |
Well-received by audiences
|
| gptkbp:character |
Joyful and playful
|
| gptkbp:composer |
gptkb:Joseph_Haydn
|
| gptkbp:critical_reception |
Highly regarded by musicologists
|
| gptkbp:cultural_impact |
Influenced chamber music repertoire
|
| gptkbp:cultural_significance |
Represents the height of Classical quartet writing
|
| gptkbp:dedication |
To the Empress Maria Theresa
|
| gptkbp:duration |
Approximately 25 minutes
|
| gptkbp:educational_use |
Studied in music education programs
|
| gptkbp:features_song |
Varied rhythmic patterns
|
| gptkbp:form |
String quartet form
|
| gptkbp:historical_context |
Composed during the Classical period
|
| gptkbp:historical_interpretation |
Various interpretations by different quartets
|
| https://www.w3.org/2000/01/rdf-schema#label |
String Quartet in E flat major
|
| gptkbp:influenced |
Later composers
|
| gptkbp:influenced_by |
Classical music
|
| gptkbp:instruments |
2 violins, viola, cello
|
| gptkbp:key |
E flat major
|
| gptkbp:language |
Innovative harmonic progressions
|
| gptkbp:legacy |
Considered a masterpiece of the genre
|
| gptkbp:motif |
Recurring motifs throughout the movements
|
| gptkbp:music_composer |
Influenced composers like Beethoven
|
| gptkbp:music_style |
Subject of many scholarly articles
Lyrical and expressive melodies Use of dynamics and articulation |
| gptkbp:notable_features |
Use of counterpoint
|
| gptkbp:notable_for |
Its lyrical melodies
|
| gptkbp:notable_performances |
Performed at festivals
|
| gptkbp:notable_quote |
Frequently quoted in music literature
|
| gptkbp:number_of_movements |
gptkb:4
|
| gptkbp:opus_number |
Op. 76, No. 3
|
| gptkbp:part_of |
gptkb:String_Quartet_Op._76
|
| gptkbp:performance |
Traditionally performed in string quartets
|
| gptkbp:performance_tradition |
Part of the standard quartet repertoire
|
| gptkbp:performance_venue |
Commonly performed in concert halls
|
| gptkbp:performed_by |
Various string quartets
|
| gptkbp:premiere_date |
1797
|
| gptkbp:premiere_location |
gptkb:Vienna
|
| gptkbp:published_by |
Artaria
|
| gptkbp:recorded_by |
Many classical music labels
|
| gptkbp:recordings |
Numerous interpretations exist
Recorded since the advent of audio recording technology |
| gptkbp:related_works |
Other quartets by Haydn
|
| gptkbp:second_movement |
gptkb:Allegro
gptkb:Menuetto gptkb:Adagio |
| gptkbp:significance |
Part of Haydn's late quartets
|
| gptkbp:style |
Classical
|
| gptkbp:thematic_element |
Rich thematic development
|
| gptkbp:year_composed |
1797
|
| gptkbp:bfsParent |
gptkb:Fanny_Mendelssohn
gptkb:Hugo_Wolf |
| gptkbp:bfsLayer |
5
|