String Quartet No. 2 in F major, Op. 17
GPTKB entity
Statements (49)
Predicate | Object |
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gptkbp:instance_of |
gptkb:String_Quartet
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gptkbp:bfsLayer |
5
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gptkbp:bfsParent |
gptkb:Tchaikovsky_String_Quartets
gptkb:Tchaikovsky_quartets gptkb:Tchaikovsky:_String_Quartets |
gptkbp:analysis |
Often analyzed for its use of folk elements
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gptkbp:composer |
gptkb:Béla_Bartók
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gptkbp:critical_reception |
Generally well-received by critics
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gptkbp:cultural_significance |
Important work in the string quartet repertoire
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gptkbp:dedication |
To the memory of the composer’s father
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gptkbp:duration |
approximately 25 minutes
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gptkbp:first_performance |
gptkb:Budapest
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gptkbp:historical_context |
Composed during World War I
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https://www.w3.org/2000/01/rdf-schema#label |
String Quartet No. 2 in F major, Op. 17
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gptkbp:influenced_artists |
Influenced later 20th-century composers
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gptkbp:influenced_by |
gptkb:Richard_Strauss
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gptkbp:influences |
gptkb:mythological_figure
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gptkbp:inspiration |
Inspired by Hungarian folk music traditions
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gptkbp:involved_forces |
2 violins, viola, cello
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gptkbp:is_influential_in |
gptkb:Allegro
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gptkbp:key |
F major
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gptkbp:movement |
gptkb:4
1. Allegro 4. Allegro molto 2. Lento 3. Scherzo: Allegro |
gptkbp:music_style |
Use of counterpoint
Use of dissonance Use of rhythmical complexity |
gptkbp:notable_performance |
Performed by the Budapest String Quartet
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gptkbp:notable_recordings |
Available on various classical music labels
Performed by the Borodin Quartet Performed by the Emerson String Quartet Performed by the Hagen Quartet Performed by the Juilliard String Quartet Performed by the Artemis Quartet Performed by the Belcea Quartet Performed by the Alban Berg Quartet Performed by the Takács Quartet Performed by the London Haydn Quartet Performed by the Tokyo String Quartet |
gptkbp:performed_by |
Various string quartets worldwide
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gptkbp:premiere |
1916
|
gptkbp:premiere_date |
1874
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gptkbp:published_by |
gptkb:1920
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gptkbp:related_works |
gptkb:String_Quartet_No._3_in_C_major,_Sz._85
gptkb:String_Quartet_No._1_in_A_minor,_Op._7 |
gptkbp:style |
Modern classical
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gptkbp:year_composed |
1915
|