|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:audience
|
polarizing opinions
|
|
gptkbp:based_on
|
gptkb:The_Siege_of_Trencher's_Farm
|
|
gptkbp:box_office
|
gptkb:$5_million
|
|
gptkbp:budget
|
$1.5 million
|
|
gptkbp:character
|
gptkb:Amy_Sumner
gptkb:Tom_Hedden
gptkb:Scorpion
David Sumner
Charlie Venner
|
|
gptkbp:cinematography
|
gptkb:Lucien_Ballard
|
|
gptkbp:cinematography_by
|
gptkb:Lucien_Ballard
|
|
gptkbp:controversy
|
depiction of sexual violence
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_analysis
|
examined for its themes of power
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
controversial depiction of violence
controversial for its violence
|
|
gptkbp:cultural_references
|
analyzed in film studies
inspired discussions on violence in media
|
|
gptkbp:cultural_significance
|
considered a classic
|
|
gptkbp:director
|
gptkb:Sam_Peckinpah
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:editing
|
gptkb:Robert_L._Dawson
non-linear
|
|
gptkbp:film_awards
|
gptkb:none
|
|
gptkbp:film_editing
|
gptkb:Robert_L._Wolfe
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_length
|
118 minutes
|
|
gptkbp:film_score
|
gptkb:Jerry_Fielding
notable for its tension
|
|
gptkbp:film_technique
|
long takes
slow motion
close-ups
dynamic camera movement
|
|
gptkbp:filming_location
|
gptkb:England
gptkb:Cornwall
|
|
gptkbp:filmography
|
analyzed in film studies
studied for its character arcs
considered a commentary on violence in society
discussed in feminist critiques
examined for its moral ambiguity
|
|
gptkbp:genre
|
gptkb:drama
psychological thriller
|
|
gptkbp:has_cameo
|
gptkb:none
|
|
gptkbp:home_media_release
|
gptkb:VHS
gptkb:DVD
gptkb:Blu-ray
gptkb:CD-ROM
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Straw Dogs
|
|
gptkbp:influence
|
inspired other films
|
|
gptkbp:influenced_by
|
gptkb:American_Westerns
gptkb:Italian_neorealism
gptkb:Spaghetti_Westerns
film noir
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
cult classic status
influenced filmmakers
subject of academic analysis
|
|
gptkbp:metacritic_score
|
mixed reviews
|
|
gptkbp:music_by
|
gptkb:Jerry_Fielding
|
|
gptkbp:narrative_style
|
character-driven
psychological tension
|
|
gptkbp:notable_awards
|
gptkb:none
|
|
gptkbp:notable_quote
|
“ The only thing that matters is what you do.”
“ I’m not a coward.”
“ You’re not going to get away with this.”
|
|
gptkbp:notable_scene
|
the final confrontation
|
|
gptkbp:notable_themes
|
gptkb:survival
violence
masculinity
|
|
gptkbp:production_company
|
gptkb:Peckinpah_Productions
gptkb:Columbia_Pictures
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:1971
|
|
gptkbp:release_year
|
gptkb:1971
|
|
gptkbp:remake
|
gptkb:Straw_Dogs_(2011)
gptkb:2011
|
|
gptkbp:screenplay
|
gptkb:David_Zelag_Goodman
|
|
gptkbp:screenplay_by
|
gptkb:David_Zelag_Goodman
|
|
gptkbp:setting
|
gptkb:Cornwall,_England
|
|
gptkbp:starring
|
gptkb:Dustin_Hoffman
gptkb:Peter_Vaughan
gptkb:Susan_George
|
|
gptkbp:themes
|
gptkb:survival
violence
masculinity
|
|
gptkbp:bfsParent
|
gptkb:Dustin_Hoffman
|
|
gptkbp:bfsLayer
|
3
|