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gptkbp:instance_of
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gptkb:album
|
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gptkbp:bfsLayer
|
3
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gptkbp:bfsParent
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gptkb:The_Doors
|
|
gptkbp:artist
|
gptkb:The_Doors
|
|
gptkbp:associated_act
|
gptkb:The_Doors
|
|
gptkbp:certification
|
gptkb:item
|
|
gptkbp:chart_position
|
#3 on Billboard 200
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|
gptkbp:cover_art
|
gptkb:Billboard_Magazine
Strange Days album cover
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|
gptkbp:critical_reception
|
Generally positive reviews
|
|
gptkbp:cultural_impact
|
Significant in 1960s counterculture
|
|
gptkbp:followed_by
|
gptkb:Waiting_for_the_Sun
|
|
gptkbp:genre
|
Psychedelic rock
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Strange Days (album)
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gptkbp:influenced
|
Psychedelic rock bands
Subsequent rock music
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|
gptkbp:influenced_by
|
gptkb:Beat_Generation
gptkb:Monarch
Psychedelic culture
|
|
gptkbp:is_featured_in
|
Various media and films
|
|
gptkbp:label
|
gptkb:Elektra_Records
|
|
gptkbp:legacy
|
Considered a classic album
|
|
gptkbp:length
|
36:23
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|
gptkbp:lyricist
|
gptkb:Jim_Morrison
|
|
gptkbp:notable_artists
|
gptkb:Robby_Krieger
gptkb:John_Densmore
gptkb:Ray_Manzarek
|
|
gptkbp:notable_song
|
gptkb:Love_Me_Two_Times
gptkb:People_Are_Strange
When the Music's Over
|
|
gptkbp:preceded_by
|
gptkb:The_Doors_(album)
|
|
gptkbp:producer
|
gptkb:Paul_A._Rothchild
|
|
gptkbp:record_label
|
gptkb:Elektra_Records
|
|
gptkbp:recording_location
|
gptkb:Sunset_Sound_Recorders
|
|
gptkbp:release_date
|
September 25, 1967
|
|
gptkbp:release_format
|
gptkb:album
|
|
gptkbp:release_year
|
gptkb:1967
|
|
gptkbp:released_in
|
gptkb:United_States
|
|
gptkbp:remastered
|
gptkb:battle
|
|
gptkbp:reunion
|
gptkb:battle
|
|
gptkbp:themes
|
Love and loss
Existentialism
Alienation
Societal issues
|
|
gptkbp:track
|
gptkb:Moonlight_Drive
gptkb:Love_Me_Two_Times
gptkb:People_Are_Strange
gptkb:Strange_Days
gptkb:Horse_Latitudes
gptkb:You're_Lost_Little_Girl
When the Music's Over
Unhappy Girl
I Can't See Your Face in My Mind
My Eyes Have Seen You
|
|
gptkbp:year_composed
|
gptkb:1967
|