Properties (57)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
concerts
|
| gptkbp:associated_with |
the Darmstadt Summer Courses
|
| gptkbp:attracts |
experimental musicians
|
| gptkbp:can_be |
immersive environments
|
| gptkbp:challenges |
the composer-performer relationship
traditional concert formats |
| gptkbp:conducted |
multiple countries
theaters and concert halls |
| gptkbp:criticism |
their accessibility
|
| gptkbp:documentedIn |
recordings
|
| gptkbp:explores |
spiritual themes
|
| gptkbp:features |
avant-garde music
|
| gptkbp:heldIn |
various locations
|
| https://www.w3.org/2000/01/rdf-schema#label |
Stockhausen's concerts
|
| gptkbp:includes |
choreography
improvisation Kontakte theatrical elements site-specific works |
| gptkbp:influence |
modern classical music
the development of sound art the field of sound design |
| gptkbp:influenced |
contemporary composers
|
| gptkbp:is_characterized_by |
complex structures
|
| gptkbp:is_essential_for |
20th-century music history
|
| gptkbp:is_featured_in |
music festivals
ritualistic boundary-pushing. experiential journeys transcendent experiences |
| gptkbp:is_known_for |
audience participation
innovative use of space spatialization of sound emphasis on improvisation auditory complexity |
| gptkbp:is_part_of |
gptkb:Stockhausen's_oeuvre
the avant-garde movement |
| gptkbp:is_studied_in |
musicology studies
|
| gptkbp:is_used_in |
electronic music
technology academic literature multimedia elements non-traditional venues live performers visual art components visual projections |
| gptkbp:notable_feature |
collaborations with other artists
unique instrumentation |
| gptkbp:performedBy |
gptkb:Karlheinz_Stockhausen
the 1950s installations |
| gptkbp:presentedBy |
major orchestras
|
| gptkbp:recordings |
various artists
|
| gptkbp:reflects |
Stockhausen's_philosophical_ideas
|
| gptkbp:related_to |
sound and silence
|
| gptkbp:surroundings |
nan
|
| gptkbp:theme |
time and space
|