Statements (106)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:characterized_by |
polyphony
complex rhythms |
| gptkbp:composer |
gptkb:Karlheinz_Stockhausen
|
| gptkbp:cultural_impact |
influenced contemporary classical music
|
| gptkbp:dedicated_to |
the performers
the 1957 Donaueschingen Music Festival |
| gptkbp:duration |
approximately 30 minutes
approximately 45 minutes |
| gptkbp:explores |
interaction between musicians
the relationship between sound and space interplay of sound and silence |
| gptkbp:features |
polyphony
|
| gptkbp:form |
three-part structure
|
| gptkbp:genre |
electronic music
|
| gptkbp:historical_interpretation |
numerous conductors
|
| https://www.w3.org/2000/01/rdf-schema#label |
Stockhausen's Gruppen
|
| gptkbp:influenced |
avant-garde music
sound art contemporary classical music modern orchestration techniques electronic composers |
| gptkbp:influenced_by |
serialism
|
| gptkbp:inspired_by |
the concept of space in music
the concept of spatial music |
| gptkbp:instruments |
orchestral instruments
|
| gptkbp:is_a_major_contribution_to |
the field of contemporary music
|
| gptkbp:is_a_moment_of |
the development of modern music
|
| gptkbp:is_a_significant_piece_for |
musicians' training
|
| gptkbp:is_a_subject_of |
gptkb:academic_research
|
| gptkbp:is_a_work_that |
explores new sound possibilities
challenges traditional forms demands audience engagement reflects Stockhausen's philosophy of music |
| gptkbp:is_analyzed_in |
musicology studies
|
| gptkbp:is_associated_with |
the Darmstadt School
|
| gptkbp:is_celebrated_for |
its originality
|
| gptkbp:is_considered |
a landmark in 20th-century music
|
| gptkbp:is_featured_in |
music festivals
|
| gptkbp:is_known_for |
its intricate score
|
| gptkbp:is_often_discussed_in |
music theory courses
|
| gptkbp:is_often_referenced_in |
music literature
|
| gptkbp:is_often_used_in |
new music ensembles
|
| gptkbp:is_part_of |
gptkb:Stockhausen's_cycle_of_works
|
| gptkbp:is_recognized_for |
its avant-garde techniques
|
| gptkbp:is_significant_for |
electroacoustic music
|
| gptkbp:key_feature |
spatial music
|
| gptkbp:music_style |
electronic music
|
| gptkbp:notable_aspect |
use of silence
use of dynamics exploration of timbre exploration of soundscapes exploration of musical form |
| gptkbp:notable_conductors |
gptkb:Herbert_von_Karajan
|
| gptkbp:notable_examples |
post-war avant-garde music
|
| gptkbp:notable_feature |
complex rhythms
spatialization spatialization of sound use of unconventional instruments use of extended techniques use of improvisation use of rhythmic complexity use of complex textures use of silence and noise use of spatial distribution of sound sources |
| gptkbp:notable_for |
its innovative use of space
|
| gptkbp:notable_performance |
gptkb:Berliner_Philharmoniker
by the Berlin Philharmonic by the New York Philharmonic by the London Sinfonietta |
| gptkbp:notable_recordings |
gptkb:Stockhausen:_Gruppen_for_3_orchestras
Stockhausen: Gruppen, conducted by Pierre Boulez Stockhausen: Gruppen for 3 orchestras, conducted by Stockhausen |
| gptkbp:notable_work |
by music theorists
by contemporary composers |
| gptkbp:often_includes |
modern repertoire
|
| gptkbp:part_of |
gptkb:Stockhausen's_oeuvre
Stockhausen's larger oeuvre |
| gptkbp:performance |
live electronics
|
| gptkbp:performances |
gptkb:3
3 orchestras |
| gptkbp:performed_at |
gptkb:Donaueschingen_Music_Festival
major music festivals |
| gptkbp:performed_by |
various orchestras
orchestras worldwide various international orchestras |
| gptkbp:performed_in |
concert halls worldwide
concert halls globally |
| gptkbp:premiere |
gptkb:1957
|
| gptkbp:premiere_date |
gptkb:1957
|
| gptkbp:premiere_location |
gptkb:Donaueschingen,_Germany
|
| gptkbp:recognized_by |
musicologists
|
| gptkbp:record_label |
gptkb:Deutsche_Grammophon
|
| gptkbp:recordings |
available on various labels
|
| gptkbp:related_works |
Kontakte
|
| gptkbp:requires |
advanced technical skills
|
| gptkbp:score |
published by Universal Edition
|
| gptkbp:structure |
three groups
|
| gptkbp:style |
avant-garde
|
| gptkbp:uses |
microtonality
tape manipulation live electronics live performance techniques |
| gptkbp:year_composed |
gptkb:1955
|
| gptkbp:bfsParent |
gptkb:Boston_Symphony_Orchestra
|
| gptkbp:bfsLayer |
4
|