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gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:Academy_Award_nomination
Golden Globe nomination
|
|
gptkbp:box_office
|
gptkb:$5_million
|
|
gptkbp:budget
|
$2 million
|
|
gptkbp:cinematography
|
gptkb:Ellsworth_Fredericks
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced later films
explored mental health issues
addressed societal pressures
depicted 1960s youth
|
|
gptkbp:director
|
gptkb:Elia_Kazan
|
|
gptkbp:distributor
|
gptkb:Warner_Bros.
|
|
gptkbp:editing
|
gptkb:William_H._Reynolds
|
|
gptkbp:film_editing
|
gptkb:William_H._Reynolds
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Splendour in the Grass
|
|
gptkbp:influences
|
gptkb:The_Great_Gatsby
American literature
youth culture
1950s culture
|
|
gptkbp:language
|
English
|
|
gptkbp:music
|
gptkb:Leonard_Rosenman
|
|
gptkbp:narrative
|
coming-of-age
|
|
gptkbp:notable_quote
|
' It's a hard thing to be young.'
' Love is a fragile thing.'
' The grass is always greener on the other side.'
' You can't go back to the past.'
' You have to live your own life.'
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:1961
|
|
gptkbp:screenplay
|
gptkb:William_Inge
|
|
gptkbp:set_in
|
gptkb:Kansas
|
|
gptkbp:starring
|
gptkb:Natalie_Wood
gptkb:Warren_Beatty
|
|
gptkbp:themes
|
gptkb:loss
love
mental health
societal expectations
|
|
gptkbp:bfsParent
|
gptkb:Tash_Sultana
gptkb:Psychedelic_Porn_Crumpets
gptkb:The_Whitlams
gptkb:The_Paper_Kites
gptkb:Tones_and_I
gptkb:Tame_Impala
gptkb:The_Superjesus
gptkb:PNAU
gptkb:Lime_Cordiale
gptkb:Ruel
gptkb:The_Avalanches
gptkb:The_Living_End
gptkb:The_Presets
gptkb:The_Hives
gptkb:Gang_of_Youths
|
|
gptkbp:bfsLayer
|
4
|