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gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:associated_with
|
gptkb:Dziga_Vertov
gptkb:Vsevolod_Pudovkin
gptkb:Sergei_Eisenstein
|
|
gptkbp:developed_by
|
Cinematography techniques
|
|
gptkbp:emphasizes
|
Political themes
|
|
gptkbp:filmography
|
gptkb:October
gptkb:Battleship_Potemkin
gptkb:The_End_of_St._Petersburg
gptkb:Man_with_a_Movie_Camera
|
|
gptkbp:focuses_on
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Collective experiences
|
|
gptkbp:fosters
|
Film schools
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Soviet Film Movement
|
|
gptkbp:includes
|
Short films
Silent films
Sound films
|
|
gptkbp:influenced
|
gptkb:New_Wave_cinema
Film theory
Television production
Documentary filmmaking
Film editing techniques
|
|
gptkbp:influenced_by
|
gptkb:Futurism
gptkb:political_organization
Constructivism
|
|
gptkbp:inspired
|
Global cinema movements
|
|
gptkbp:is_active_in
|
1920s
1930s
|
|
gptkbp:is_available_in
|
1930s
|
|
gptkbp:is_characterized_by
|
Dramatic lighting
Emotional depth
Social commentary
Social realism
Cinematic innovation
Artistic experimentation
Cultural critique
Cinematic realism
Narrative complexity
Character-driven stories
Visual storytelling techniques
Cinematic language
Visual metaphors
Thematic depth
Strong performances
Political allegory
Innovative narratives
Dynamic camera work
Montage theory
|
|
gptkbp:is_criticized_for
|
gptkb:Propaganda
gptkb:political_movement
|
|
gptkbp:is_explored_in
|
gptkb:Historical_events
Class struggle
|
|
gptkbp:is_featured_in
|
Documentary style
Propaganda films
Avant-garde elements
|
|
gptkbp:is_part_of
|
gptkb:organization
|
|
gptkbp:is_promoted_by
|
gptkb:Socialist_realism
gptkb:organization
|
|
gptkbp:led_to
|
gptkb:Soviet_cinema
|
|
gptkbp:notable_figures
|
Cultural revolution
|
|
gptkbp:origin
|
gptkb:Monarch
|
|
gptkbp:utilizes
|
gptkb:Symbolism
Experimental techniques
Visual storytelling
Non-linear storytelling
|
|
gptkbp:bfsParent
|
gptkb:Vladimir_Trauberg
|
|
gptkbp:bfsLayer
|
6
|