|
gptkbp:instance_of
|
gptkb:album
gptkb:Acoustic
|
|
gptkbp:acoustic_focus
|
focal point
|
|
gptkbp:angle
|
typically 45 degrees
|
|
gptkbp:associated_with
|
gptkb:World_War_I
gptkb:military_history
historical landmarks
acoustic research
cultural heritage.
British coastal defense
early 20th century military strategy
early warning technology
|
|
gptkbp:chart_performance
|
gptkb:Billboard_200
gptkb:UK_Albums_Chart
|
|
gptkbp:constructed_in
|
gptkb:various_countries
reinforced concrete
various locations in the UK
aircraft detection
|
|
gptkbp:contains_track
|
gptkb:True_Skool
gptkb:The_Journey
gptkb:The_Last_Stand
gptkb:The_Truth
gptkb:Last_Train_to_London
gptkb:The_Sound_of_the_Future
The Truth (Remix)
Walk a Mile in My Shoes
The Sound of the Future (Remix)
The Big Ask
The Big Ask (Remix)
The Last Train to London (Remix)
|
|
gptkbp:created_by
|
gptkb:Coldcut
|
|
gptkbp:critical_reception
|
Positive
generally positive
|
|
gptkbp:cultural_impact
|
inspired art and literature
|
|
gptkbp:declined_in
|
gptkb:World_War_II
|
|
gptkbp:decommissioned
|
mid-20th century
|
|
gptkbp:design_feature
|
curved surface
|
|
gptkbp:design_features
|
large parabolic shape
|
|
gptkbp:featured_artist
|
gptkb:Robert_Owens
gptkb:Kano
gptkb:Kathy_Sledge
gptkb:Roots_Manuva
gptkb:Juice_Aleem
|
|
gptkbp:features
|
gptkb:Various_Artists
|
|
gptkbp:first_introduced
|
British military
|
|
gptkbp:followed_by
|
gptkb:Sound_Mirrors_Remixed
|
|
gptkbp:frequency
|
low frequencies
|
|
gptkbp:function_by
|
reflecting sound waves
|
|
gptkbp:genre
|
gptkb:electronic
Electronic
|
|
gptkbp:has_interest
|
gptkb:historical_preservation
|
|
gptkbp:has_limitations
|
limited range
|
|
gptkbp:height
|
up to 10 meters
|
|
gptkbp:historical_analysis
|
monitoring airspace
|
|
gptkbp:historical_context
|
pre-radar technology
|
|
gptkbp:historical_significance
|
early aviation technology
|
|
gptkbp:historical_use
|
military surveillance
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Sound Mirrors
|
|
gptkbp:influenced
|
modern acoustic devices
|
|
gptkbp:influenced_by
|
technological advancements
acoustic engineering
|
|
gptkbp:influences
|
gptkb:jungle
ambient music
hip hop
trip hop
house music
breakbeat
|
|
gptkbp:inspiration
|
parabolic reflectors
|
|
gptkbp:invention
|
early 20th century
|
|
gptkbp:label
|
gptkb:Ninja_Tune
|
|
gptkbp:length
|
52:00
|
|
gptkbp:location
|
coastal areas
|
|
gptkbp:made_of
|
concrete
|
|
gptkbp:maintenance
|
periodic inspections
|
|
gptkbp:metacritic_score
|
80
|
|
gptkbp:notable_examples
|
gptkb:Dover_Sound_Mirror
|
|
gptkbp:notable_locations
|
gptkb:Selsey_Bill
|
|
gptkbp:notable_tracks
|
gptkb:True_Skool
gptkb:The_Journey
gptkb:The_Last_Stand
gptkb:The_Truth
gptkb:The_Future
gptkb:The_Sound_of_Music
gptkb:The_Way
gptkb:The_Big_Beat
gptkb:The_End
gptkb:Last_Train_to_London
gptkb:The_Beginning
gptkb:The_Sound_of_the_Future
Walk a Mile in My Shoes
Last Stop
The Big Ask
|
|
gptkbp:preceded_by
|
Let Us Replay
|
|
gptkbp:predecessor
|
Let Us Replay
|
|
gptkbp:producer
|
gptkb:Coldcut
|
|
gptkbp:release_date
|
gptkb:2006
2006-10-02
|
|
gptkbp:replaced_by
|
gptkb:radar_system
|
|
gptkbp:sound
|
reflection
|
|
gptkbp:sound_detection
|
passive listening
|
|
gptkbp:successor
|
gptkb:Sound_Mirrors_Remixed
|
|
gptkbp:track_count
|
gptkb:12
|
|
gptkbp:used_by
|
civil defense organizations
|
|
gptkbp:used_for
|
detecting aircraft
|
|
gptkbp:used_in
|
gptkb:military_training
gptkb:naval_warfare
educational purposes
historical research
archaeological studies
emergency response
historical exhibitions
historical documentaries
early warning systems
coastal defense
|
|
gptkbp:bfsParent
|
gptkb:The_Remixes
gptkb:The_Last_Stand
gptkb:The_Sound_of_Music
|
|
gptkbp:bfsLayer
|
4
|