|
gptkbp:instance_of
|
gptkb:novel
gptkb:stage_play
|
|
gptkbp:adaptation
|
gptkb:film_adaptations
gptkb:miniseries
gptkb:television
gptkb:film
gptkb:stage_play
performed in various theaters
|
|
gptkbp:adaptation_year
|
gptkb:1960
gptkb:1981
|
|
gptkbp:adapted_into
|
gptkb:television_series
gptkb:Sons_and_Lovers_(1960_film)
gptkb:film
|
|
gptkbp:author
|
gptkb:D._H._Lawrence
|
|
gptkbp:based_on
|
novel by D. H. Lawrence
|
|
gptkbp:character
|
gptkb:Clara_Dawes
gptkb:Gertrude_Morel
gptkb:Miriam_Leivers
gptkb:William_Morel
Mr. Morel
|
|
gptkbp:conflict
|
internal conflict
external conflict
|
|
gptkbp:critical_analysis
|
Marxist perspective
feminist perspective
feminist critique
psychological perspective
Marxist critique
psychoanalytic critique
|
|
gptkbp:critical_reception
|
mixed reviews
controversial at the time of publication
|
|
gptkbp:cultural_impact
|
influenced later literature
influenced later works
inspired discussions on love
inspired discussions on family
inspired discussions on class
|
|
gptkbp:cultural_significance
|
exploration of familial relationships
exploration of personal identity
exploration of societal expectations
exploration of romantic relationships
exploration of working-class life
|
|
gptkbp:director
|
gptkb:Jack_Cardiff
|
|
gptkbp:film_editing
|
gptkb:Sons_and_Lovers_(1960)
|
|
gptkbp:genre
|
gptkb:Fiction
gptkb:drama
autobiographical novel
psychological novel
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Sons and Lovers
|
|
gptkbp:influence
|
feminist literature
modernist literature
post-war literature
psychological novels
|
|
gptkbp:influence_on
|
Freudian theory
|
|
gptkbp:influenced
|
post-war literature
|
|
gptkbp:influenced_by
|
Freudian theory
|
|
gptkbp:influences
|
modernist literature
|
|
gptkbp:inspiration
|
D. H. Lawrence's own life
|
|
gptkbp:inspired_by
|
D. H. Lawrence's own life
D. H. Lawrence's life
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_movement
|
gptkb:modernism
|
|
gptkbp:literary_significance
|
exploration of psychological depth
depiction of working-class life
complex family relationships
|
|
gptkbp:main_character
|
gptkb:Paul_Morel
|
|
gptkbp:motif
|
gptkb:betrayal
gptkb:identity
sexual awakening
|
|
gptkbp:narrative_style
|
stream of consciousness
first-person perspective
|
|
gptkbp:notable_characters
|
gptkb:Mabel_Morel
gptkb:Paul_Morel
gptkb:Clara_Dawes
gptkb:Gertrude_Morel
gptkb:William_Morel
|
|
gptkbp:notable_production
|
gptkb:Royal_Court_Theatre
gptkb:West_End
gptkb:Broadway
gptkb:theater
|
|
gptkbp:notable_themes
|
gptkb:social_class
gptkb:identity
alienation
emotional conflict
gender roles
psychological conflict
sexuality
|
|
gptkbp:notable_work
|
gptkb:D._H._Lawrence
|
|
gptkbp:original_language
|
English
|
|
gptkbp:premiered_on
|
1912
|
|
gptkbp:protagonist
|
gptkb:Artist
|
|
gptkbp:published
|
1913
|
|
gptkbp:published_in
|
1913
|
|
gptkbp:setting
|
gptkb:Nottinghamshire,_England
Nottinghamshire
early 20th century England
|
|
gptkbp:symbolism
|
industrialization
sexuality
mother-son relationship
the mining community
the mother's influence
|
|
gptkbp:theme
|
class struggle
love and relationships
family dynamics
|
|
gptkbp:themes
|
love
class struggle
family dynamics
|
|
gptkbp:written_by
|
gptkb:D._H._Lawrence
|
|
gptkbp:bfsParent
|
gptkb:D._H._Lawrence
|
|
gptkbp:bfsLayer
|
4
|