Statements (107)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:theatre
gptkb:novel |
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:D._H._Lawrence
gptkb:David_H._Lawrence_XVII |
| gptkbp:adaptation |
gptkb:television_series
gptkb:theatre gptkb:1960 gptkb:1981 gptkb:film gptkb:film_series performed in various theaters |
| gptkbp:adapted_into |
gptkb:television_series
gptkb:Sons_and_Lovers_(1960_film) gptkb:film |
| gptkbp:art_movement |
gptkb:modernism
|
| gptkbp:author |
gptkb:D._H._Lawrence
|
| gptkbp:based_on |
novel by D. H. Lawrence
|
| gptkbp:character |
gptkb:Clara_Dawes
gptkb:Gertrude_Morel gptkb:Miriam_Leivers gptkb:William_Morel Mr. Morel |
| gptkbp:conflict |
internal conflict
external conflict |
| gptkbp:critical_reception |
mixed reviews
controversial at the time of publication |
| gptkbp:cultural_impact |
influenced later literature
influenced later works inspired discussions on love inspired discussions on family inspired discussions on class |
| gptkbp:cultural_significance |
exploration of familial relationships
exploration of personal identity exploration of societal expectations exploration of romantic relationships exploration of working-class life |
| gptkbp:director |
gptkb:Jack_Cardiff
|
| gptkbp:filmography |
gptkb:Sons_and_Lovers_(1960)
|
| gptkbp:genre |
gptkb:Author
gptkb:High_School autobiographical novel psychological novel |
| https://www.w3.org/2000/01/rdf-schema#label |
Sons and Lovers
|
| gptkbp:influence |
Freudian theory
feminist literature modernist literature post-war literature psychological novels |
| gptkbp:influenced |
post-war literature
|
| gptkbp:influenced_by |
Freudian theory
|
| gptkbp:influences |
modernist literature
|
| gptkbp:inspiration |
D. H. Lawrence's own life
|
| gptkbp:inspired_by |
D. H. Lawrence's own life
D. H. Lawrence's life |
| gptkbp:is_critical_for |
Marxist perspective
feminist perspective feminist critique psychological perspective Marxist critique psychoanalytic critique |
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Artist
gptkb:Paul_Morel |
| gptkbp:motif |
gptkb:TV_series
gptkb:betrayal sexual awakening |
| gptkbp:narrative_style |
stream of consciousness
first-person perspective |
| gptkbp:notable_character |
gptkb:Mabel_Morel
gptkb:Paul_Morel gptkb:Clara_Dawes gptkb:Gertrude_Morel gptkb:William_Morel |
| gptkbp:notable_production |
gptkb:musical
gptkb:Royal_Court_Theatre gptkb:theatre gptkb:West_End |
| gptkbp:notable_work |
gptkb:D._H._Lawrence
|
| gptkbp:official_language |
English
|
| gptkbp:premiered_on |
1912
|
| gptkbp:published_by |
1913
|
| gptkbp:setting |
gptkb:Nottinghamshire,_England
Nottinghamshire early 20th century England |
| gptkbp:significance |
exploration of psychological depth
depiction of working-class life complex family relationships |
| gptkbp:symbolism |
industrialization
sexuality mother-son relationship the mining community the mother's influence |
| gptkbp:theme |
class struggle
love and relationships family dynamics |
| gptkbp:themes |
gptkb:TV_series
gptkb:class love alienation class struggle emotional conflict gender roles family dynamics psychological conflict sexuality |
| gptkbp:written_by |
gptkb:D._H._Lawrence
|