Statements (106)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:poet
|
| gptkbp:addressed |
gptkb:The_Dark_Lady
|
| gptkbp:addresses |
the dark lady
|
| gptkbp:analyzes |
female beauty
|
| gptkbp:contains |
14 lines
|
| gptkbp:contains_track |
ABABCDCDEFEFGG
|
| gptkbp:explores |
desire
|
| gptkbp:follows |
gptkb:Sonnet_126
|
| gptkbp:form |
gptkb:poet
14 lines |
| gptkbp:has |
inspired adaptations
multiple interpretations interpreted in various ways been included in anthologies |
| https://www.w3.org/2000/01/rdf-schema#label |
Sonnet 127
|
| gptkbp:influenced_by |
Renaissance literature
|
| gptkbp:inspired_by |
Personal experiences of Shakespeare
|
| gptkbp:involved_units |
iambic pentameter
|
| gptkbp:is |
a cultural artifact
a work of art a subject of scholarly research often quoted often referenced in popular culture a source of inspiration for poets often analyzed in literature classes a literary masterpiece considered a significant work part of the Western literary canon an example of Elizabethan poetry often performed in theater a significant contribution to English literature a reflection on beauty and time analyzed for its linguistic features a study of human emotion a commentary on societal standards of beauty a love poem a part of Shakespeare's legacy a part of the Fair Youth sequence a part of the sonnet tradition a reflection of Shakespeare's views on women a reflection of the Renaissance era an exploration of love's complexities notable for its tone |
| gptkbp:is_analyzed_in |
Literary criticism
|
| gptkbp:is_compared_to |
light and dark
|
| gptkbp:is_discussed_in |
Academic studies
|
| gptkbp:is_referenced_in |
Modern literature
|
| gptkbp:is_reflected_in |
personal experience
|
| gptkbp:language |
Early Modern English
|
| gptkbp:literary_devices |
gptkb:Metaphor
gptkb:Person Imagery |
| gptkbp:notable_quote |
In the old age black was not counted fair.
And youth's proud livery, so gazed on now. But now is black beauty's successive heir. |
| gptkbp:number |
127
|
| gptkbp:part_of |
gptkb:Shakespeare's_sonnets
|
| gptkbp:performed_by |
Theatrical adaptations
|
| gptkbp:precedes |
gptkb:Sonnet_128
|
| gptkbp:published_by |
gptkb:Thomas_Thorpe
1609 |
| gptkbp:related_to |
gptkb:Sonnet_128
gptkb:Sonnet_126 |
| gptkbp:theme |
gptkb:Beauty
gptkb:Love gptkb:Time beauty dark lady |
| gptkbp:themes |
gptkb:Symbolism
gptkb:TV_series gptkb:award gptkb:archaeological_site gptkb:Desire gptkb:organization Emotional depth Mortality Social commentary Aging Introspection Self-reflection Artistic expression Philosophical discourse Beauty standards Human experience Philosophical reflections Cynicism Literary tradition Cultural critique Artistic legacy Aesthetic appreciation Emotional conflict Cultural perceptions of beauty Romantic idealism Art and beauty Transience of beauty Existential inquiry Contradiction of beauty Contrast between inner and outer beauty Contrast of ideals Love's complexities |
| gptkbp:translated_into |
Multiple languages
|
| gptkbp:uses |
imagery
|
| gptkbp:written_by |
gptkb:Educational_Institution
|
| gptkbp:written_in |
iambic pentameter
|
| gptkbp:bfsParent |
gptkb:The_Dark_Lady
|
| gptkbp:bfsLayer |
5
|