|
gptkbp:instance_of
|
gptkb:album
|
|
gptkbp:artist
|
gptkb:The_Pop_Group
|
|
gptkbp:associated_act
|
gptkb:The_Pop_Group
gptkb:Mark_Stewart
gptkb:Gang_of_Four
gptkb:The_Slits
|
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gptkbp:collaborations
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gptkb:Richard_H._Kirk
gptkb:Bruce_Smith
gptkb:Garry_Asquith
John Waddington
Dan C. Mc Gowan
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|
gptkbp:cover_art
|
Artwork by 4 AD
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gptkbp:critical_reception
|
Generally positive reviews
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gptkbp:followed_by
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We Are All Prostitutes
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gptkbp:genre
|
Post-punk
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Songs of the Free
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|
gptkbp:influenced_artists
|
gptkb:Björk
gptkb:FKA_Twigs
gptkb:The_xx
gptkb:Radiohead
gptkb:Arctic_Monkeys
gptkb:The_Rapture
gptkb:Death_Grips
Savages
Liars
|
|
gptkbp:influenced_by
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Punk rock
Reggae
Dub music
|
|
gptkbp:influences
|
gptkb:Artist
gptkb:Monarch
Free jazz
|
|
gptkbp:is_available_on
|
gptkb:Vinyl
CD
Digital download
|
|
gptkbp:label
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gptkb:Radar_Records
|
|
gptkbp:legacy
|
Cult following
|
|
gptkbp:length
|
39:00
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gptkbp:notable_tracks
|
The Last Walk
Don't Call Me Pain
We Are All Prostitutes
The Boy Looked at Johnny
|
|
gptkbp:preceded_by
|
For How Much Longer Do We Tolerate Mass Murder?
|
|
gptkbp:producer
|
gptkb:The_Pop_Group
|
|
gptkbp:recording_location
|
Southern Studios
|
|
gptkbp:release_year
|
gptkb:1982
|
|
gptkbp:released_in
|
gptkb:UK
|
|
gptkbp:remastered
|
gptkb:2007
gptkb:battle
|
|
gptkbp:reunion
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gptkb:2010
gptkb:battle
|
|
gptkbp:themes
|
Social commentary
Anti-establishment
Political activism
|
|
gptkbp:track_count
|
gptkb:10
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gptkbp:bfsParent
|
gptkb:Andy_Gill
gptkb:Gang_of_Four
|
|
gptkbp:bfsLayer
|
5
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