Sonata for Violin and Harpsichord, BWV 1016
GPTKB entity
Statements (52)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
musical composition
|
| gptkbp:composer |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:culturalSignificance |
important_work_in_Baroque_repertoire
|
| gptkbp:dedicatedTo |
gptkb:Prince_Leopold_of_Anhalt-Köthen
|
| gptkbp:duration |
approximately 20 minutes
|
| gptkbp:firstGeneration |
Allegro
Largo Grave Fuga |
| gptkbp:genre |
Baroque music
|
| https://www.w3.org/2000/01/rdf-schema#label |
Sonata for Violin and Harpsichord, BWV 1016
|
| gptkbp:influenced |
historically informed performance
later composers |
| gptkbp:influencedBy |
Italian_violin_sonatas
|
| gptkbp:instrument |
gptkb:harpsichord
violin |
| gptkbp:is_part_of |
gptkb:Bach's_sonatas_and_partitas_for_violin
|
| gptkbp:keyIssues |
A major
|
| gptkbp:notableFeature |
gptkb:Itzhak_Perlman
gptkb:Hilary_Hahn orchestra dance forms piano counterpoint thematic development dynamic contrasts expressive melodies string quartet virtuosic passages use of ornamentation contrasting sections textural richness harmonic complexity expressive dynamics structural clarity rhythmic variety interplay between instruments melodic interplay lyrical sections improvisatory elements |
| gptkbp:numberOfStudents |
4
|
| gptkbp:partOf |
BWV 1001-1071
|
| gptkbp:performedBy |
chamber_orchestra
|
| gptkbp:publishedBy |
gptkb:Bärenreiter
|
| gptkbp:publishedIn |
1720
|
| gptkbp:recordings |
gptkb:Gidon_Kremer
gptkb:Joshua_Bell gptkb:Anne-Sophie_Mutter gptkb:Alina_Ibragimova gptkb:Rachel_Podger |
| gptkbp:style |
Classical music
|
| gptkbp:yearEstablished |
1730
|