Sonata for Violin and Harpsichord
GPTKB entity
Statements (56)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
musical composition
|
| gptkbp:associatedWith |
Bach's_legacy
Bach's_chamber_works |
| gptkbp:characteristics |
ornamentation
counterpoint |
| gptkbp:characterizedBy |
expressive melodies
|
| gptkbp:composedOf |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:culturalSignificance |
important_work_in_Baroque_repertoire
|
| gptkbp:dedicatedTo |
gptkb:Anna_Magdalena_Bach
|
| gptkbp:duration |
approximately 15 minutes
|
| gptkbp:firstGeneration |
Allegro
Andante Grave |
| gptkbp:genre |
Baroque music
|
| gptkbp:historicalContext |
early 18th century
|
| https://www.w3.org/2000/01/rdf-schema#label |
Sonata for Violin and Harpsichord
|
| gptkbp:influenced |
modern violin repertoire
later_Baroque_composers |
| gptkbp:influencedBy |
Italian_violin_sonatas
|
| gptkbp:inspiredBy |
French_dance_forms
|
| gptkbp:instrument |
gptkb:harpsichord
violin |
| gptkbp:is_recognized_for |
piano
|
| gptkbp:is_used_in |
educational programs
music festivals music schools musicology studies music competitions music conservatories recitals various interpretations classical music concerts duos music literature music theory courses harpsichordists |
| gptkbp:keyIssues |
G major
|
| gptkbp:notableFeature |
dialogue between instruments
for string quartet use of improvisation by famous violinists dialogue between soloist and accompaniment on chamber music development Itzhak_Perlman_and_Daniel_Barenboim |
| gptkbp:notableFor |
its intricate structure
its technical demands on performers |
| gptkbp:numberOfStudents |
3
|
| gptkbp:partOf |
BWV 1021
Bach's_sonata_cycle |
| gptkbp:performedBy |
chamber ensembles
historical performance practice |
| gptkbp:publishedIn |
1720
|
| gptkbp:recognizes |
a staple of Baroque repertoire
masterpiece_of_Baroque_music |
| gptkbp:recordings |
numerous artists
|
| gptkbp:style |
chamber music
|