|
gptkbp:instance_of
|
gptkb:piano
|
|
gptkbp:character
|
dynamic
lyrical
melodic
expressive
|
|
gptkbp:characteristics
|
emotional depth
lyrical themes
rich harmonies
contrasting sections
complex textures
|
|
gptkbp:composer
|
gptkb:Franz_Schubert
|
|
gptkbp:cultural_significance
|
important work in piano literature
|
|
gptkbp:dedication
|
to the memory of his friend
|
|
gptkbp:duration
|
approximately 20 minutes
|
|
gptkbp:form
|
sonata form
|
|
gptkbp:historical_context
|
early 19th century
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Sonata No. 2 in A major, Op. 100
|
|
gptkbp:influenced
|
later composers
piano sonata form
|
|
gptkbp:influenced_by
|
gptkb:Beethoven
|
|
gptkbp:influences
|
classical music
|
|
gptkbp:inspiration
|
Schubert's life experiences
|
|
gptkbp:is_analyzed_in
|
in music theory classes
|
|
gptkbp:is_often_discussed_in
|
in musicology literature
|
|
gptkbp:is_often_featured_in
|
in piano recitals
|
|
gptkbp:is_often_referenced_in
|
in music history courses
|
|
gptkbp:is_often_used_in
|
in competitions
in various interpretations
|
|
gptkbp:is_studied_in
|
by music students
|
|
gptkbp:key
|
A major
|
|
gptkbp:movement
|
gptkb:Allegro
Andante con moto
Allegretto grazioso
|
|
gptkbp:notable_features
|
use of counterpoint
thematic development
expressive dynamics
rhythmic variety
use of pedal
|
|
gptkbp:notable_recordings
|
by Daniel Barenboim
by Alfred Brendel
by András Schiff
by Mitsuko Uchida
by Maria João Pires
|
|
gptkbp:number_of_movements
|
three
|
|
gptkbp:often_includes
|
in concert programs
|
|
gptkbp:opus_number
|
gptkb:100
|
|
gptkbp:performed_by
|
many classical pianists
|
|
gptkbp:published
|
1839
|
|
gptkbp:published_year
|
1886
|
|
gptkbp:repertoire
|
classical piano repertoire
|
|
gptkbp:second_movement
|
gptkb:Allegro_moderato
gptkb:Andante
gptkb:Allegro_vivace
|
|
gptkbp:style
|
Romantic
|
|
gptkbp:year_composed
|
1827
|
|
gptkbp:bfsParent
|
gptkb:Brahms:_Complete_Sonatas
gptkb:Brahms:_Violin_Sonatas
|
|
gptkbp:bfsLayer
|
5
|