gptkbp:instance_of
|
gptkb:musical_composition
|
gptkbp:bfsLayer
|
7
|
gptkbp:bfsParent
|
gptkb:Bach:_Violin_Works
gptkb:Bach:_Complete_Works_for_Violin
|
gptkbp:characteristics
|
complex rhythms
counterpoint
expressive melodies
harmonic richness
|
gptkbp:composer
|
gptkb:Johann_Sebastian_Bach
|
gptkbp:cultural_significance
|
important work in violin repertoire
|
gptkbp:dedication
|
gptkb:Prince_Leopold_of_Anhalt-Köthen
|
gptkbp:form
|
multi-movement work
|
gptkbp:genre
|
gptkb:Piano_Sonata
|
gptkbp:historical_context
|
composed during Bach's time in Köthen
|
https://www.w3.org/2000/01/rdf-schema#label
|
Sonata No. 2 in A major, BWV 1003
|
gptkbp:influenced
|
classical music
|
gptkbp:inspiration
|
Bach's experiences in Köthen
|
gptkbp:instrumentation
|
violin and continuo
|
gptkbp:key
|
A major
|
gptkbp:movement
|
gptkb:Andante
gptkb:3
gptkb:cemetery
Fuga
|
gptkbp:music_style
|
ornamentation
rhythmic complexity
dynamic contrasts
thematic transformation
sonata form
stylistic diversity
melodic development
contrapuntal techniques
improvisational style
textural variety
harmonic exploration
articulation techniques
melodic interplay
phrasing
structural coherence
tempo variations
expressive techniques
|
gptkbp:notable_recordings
|
gptkb:Itzhak_Perlman
gptkb:Joshua_Bell
gptkb:Hilary_Hahn
|
gptkbp:opus_number
|
1003
|
gptkbp:part_of
|
gptkb:Sonatas_and_Partitas_for_Solo_Violin
|
gptkbp:performance
|
approximately 15 minutes
solo violin
|
gptkbp:published_by
|
after Bach's death
|
gptkbp:related_works
|
gptkb:Partita_No._1_in_B_minor,_BWV_1002
gptkb:Partita_No._3_in_E_major,_BWV_1006
gptkb:Sonata_No._3_in_C_major,_BWV_1005
gptkb:Partita_No._2_in_D_minor,_BWV_1004
gptkb:Sonata_No._1_in_G_minor,_BWV_1001
|
gptkbp:style
|
gptkb:Baroque
|
gptkbp:technique
|
requires advanced violin technique
|
gptkbp:year_composed
|
1720
|