|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:author
|
gptkb:Ken_Kesey
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
a novel by Ken Kesey
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:character
|
gptkb:The_Old_Man
gptkb:Hank_Stamper
gptkb:Viv_Stamper
gptkb:Joe_Ben_Stamper
Lila Stamper
|
|
gptkbp:character_development
|
interpersonal relationships
moral dilemmas
complex characters
|
|
gptkbp:cinematography
|
gptkb:Richard_Moore
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
acclaimed
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced writers
adapted into stage plays
discussed in literary studies
depicts the logging industry in the Pacific Northwest.
|
|
gptkbp:directed_by
|
gptkb:Paul_Leonard_Newman
|
|
gptkbp:director
|
gptkb:Paul_Leonard_Newman
|
|
gptkbp:distributor
|
gptkb:Universal_Pictures
|
|
gptkbp:edited_by
|
gptkb:Dede_Allen
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:followed_by
|
gptkb:One_Flew_Over_the_Cuckoo's_Nest
|
|
gptkbp:genre
|
gptkb:Author
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Sometimes a Great Notion
|
|
gptkbp:influenced
|
subsequent films about family dynamics
|
|
gptkbp:influenced_by
|
American literature
|
|
gptkbp:influences
|
gptkb:postmodernism
gptkb:organization
American literature
|
|
gptkbp:is_critical_for
|
explores family dynamics
examines societal expectations
reflects on personal freedom
addresses themes of loyalty
depicts the logging industry
highlights the struggle against conformity
|
|
gptkbp:isbn
|
978-0140045290
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Henry_Mancini
|
|
gptkbp:narrative_style
|
nonlinear
|
|
gptkbp:notable_character
|
gptkb:Henry_Stamper
gptkb:Joe_Ben_Stamper
gptkb:Leland_Stamper
Beatrice Stamper
The Stamper family
|
|
gptkbp:notable_inductees
|
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Supporting_Actor
|
|
gptkbp:page_count
|
384
|
|
gptkbp:plot
|
A family of loggers in Oregon struggles against the forces of nature and their own personal conflicts.
|
|
gptkbp:predecessor
|
gptkb:The_Electric_Kool-Aid_Acid_Test
|
|
gptkbp:premiere
|
gptkb:Borough
|
|
gptkbp:published_by
|
gptkb:1964
|
|
gptkbp:publisher
|
gptkb:Viking_Press
|
|
gptkbp:release_date
|
June 30, 1971
|
|
gptkbp:release_year
|
gptkb:1971
|
|
gptkbp:released
|
gptkb:1971
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Ken_Kesey
|
|
gptkbp:setting
|
gptkb:Oregon
|
|
gptkbp:starring
|
gptkb:Lee_Remick
gptkb:Paul_Leonard_Newman
gptkb:Henry_Fonda
gptkb:Michael_Sarrazin
|
|
gptkbp:style
|
stream of consciousness
symbolism
imagery
|
|
gptkbp:theme
|
individualism
family loyalty
the American Dream
struggle against adversity
conflict with nature
|
|
gptkbp:themes
|
gptkb:military_conflict
gptkb:family
individualism
|
|
gptkbp:bfsParent
|
gptkb:Ken_Kesey
gptkb:Richard_Jaeckel
|
|
gptkbp:bfsLayer
|
4
|