|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
gptkb:Eugene_L._Lourié
|
|
gptkbp:artist
|
gptkb:William_J._Tuttle
|
|
gptkbp:awards
|
gptkb:Academy_Award_for_Best_Supporting_Actress
gptkb:0
2
|
|
gptkbp:based_on
|
gptkb:novel
novel by James Jones
|
|
gptkbp:box_office
|
$3.5 million
$3 million
|
|
gptkbp:character
|
gptkb:Bobby
gptkb:Ruth
gptkb:The_Bartender
gptkb:The_Girl
gptkb:The_Old_Man
gptkb:The_Waitress
gptkb:The_Doctor
gptkb:The_Judge
gptkb:The_Soldier
gptkb:Thelma
gptkb:Duke
gptkb:Frankie_Machine
gptkb:Mabel
gptkb:Dave_Hirsh
gptkb:Frank_Mc_Cloud
The Young Man
The Reporter
Ginny Moorehead
Mr. Moorehead
Mrs. Moorehead
Ruth Hirsh
Edna Hirsh
|
|
gptkbp:character_appearance
|
gptkb:Helen_Rose
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography
|
gptkb:William_H._Daniels
Daniel L. Fapp
|
|
gptkbp:color
|
gptkb:Technicolor
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influential in film noir
inspired later films
|
|
gptkbp:debut_year
|
gptkb:Borough
|
|
gptkbp:design
|
gptkb:Cedric_Gibbons
|
|
gptkbp:directed_by
|
gptkb:Vincente_Minnelli
|
|
gptkbp:director
|
gptkb:Vincente_Minnelli
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
gptkb:Metro-Goldwyn-Mayer
|
|
gptkbp:edited_by
|
gptkb:George_Boemler
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:film_score
|
gptkb:Elmer_Bernstein
Not Rated
|
|
gptkbp:filmography
|
gptkb:George_Boemler
136 minutes
|
|
gptkbp:follows
|
gptkb:The_Bad_and_the_Beautiful
|
|
gptkbp:genre
|
gptkb:High_School
romance
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Some Came Running
|
|
gptkbp:influenced
|
subsequent romantic dramas
|
|
gptkbp:influenced_by
|
gptkb:The_Great_Gatsby
film noir
|
|
gptkbp:influences
|
gptkb:American_cinema
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Elmer_Bernstein
|
|
gptkbp:narrative_theme
|
love and redemption
post-war disillusionment
|
|
gptkbp:notable_quote
|
" You can't go home again."
|
|
gptkbp:precedes
|
gptkb:The_Courtship_of_Eddie's_Father
|
|
gptkbp:produced_by
|
gptkb:Vincente_Minnelli
|
|
gptkbp:production_company
|
gptkb:Metro-Goldwyn-Mayer
|
|
gptkbp:release_date
|
gptkb:1958
December 19, 1958
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:release_year
|
gptkb:1958
|
|
gptkbp:released_in
|
gptkb:1958
|
|
gptkbp:runtime
|
136 minutes
|
|
gptkbp:screenplay_by
|
gptkb:John_Patrick
|
|
gptkbp:set_in
|
gptkb:Midwestern_United_States
|
|
gptkbp:setting
|
Midwestern town
|
|
gptkbp:sound
|
gptkb:John_A._Mc_Gowan
|
|
gptkbp:starring
|
gptkb:Frank_Sinatra
gptkb:Dean_Martin
gptkb:Shirley_Mac_Laine
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:class
gptkb:betrayal
gptkb:loss
gptkb:Community_Center
nostalgia
redemption
disillusionment
family dynamics
the American Dream
|
|
gptkbp:bfsParent
|
gptkb:James_Jones
gptkb:Martha_Hyer
gptkb:Francis_Albert_Sinatra
gptkb:Vincente_Minnelli
|
|
gptkbp:bfsLayer
|
4
|