Statements (24)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Czechoslovak_State_Film
|
| gptkbp:associated_with |
political critique
|
| gptkbp:director |
gptkb:Štefan_Uher
gptkb:Karel_Kachyňa gptkb:Juraj_Jakubisko |
| https://www.w3.org/2000/01/rdf-schema#label |
Slovak New Wave
|
| gptkbp:influenced_by |
gptkb:Czechoslovak_New_Wave
|
| gptkbp:is_active_in |
1960s
|
| gptkbp:is_available_in |
1970s
|
| gptkbp:is_characterized_by |
gptkb:comic_book
social realism poetic imagery |
| gptkbp:legacy |
influence on contemporary Slovak cinema
|
| gptkbp:notable_film |
gptkb:The_Shop_on_Main_Street
gptkb:The_Last_Judgment gptkb:The_Return_of_the_Prodigal_Son gptkb:The_Man_Who_Knew_Too_Much gptkb:The_Firemen's_Ball gptkb:The_Girl_on_a_Bicycle The Devil's Work The Sweet Country |
| gptkbp:origin |
gptkb:Slovakia
|