|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:boxOfficeGross
|
$1.2 million
|
|
gptkbp:budget
|
$23,000
|
|
gptkbp:cinematography
|
gptkb:Lee_Daniel
|
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:criticalReception
|
positive
|
|
gptkbp:director
|
gptkb:Richard_Linklater
|
|
gptkbp:distributor
|
gptkb:Orion_Classics
|
|
gptkbp:editingBy
|
gptkb:Richard_Linklater
Gustavo Costantini
|
|
gptkbp:filmingLocation
|
gptkb:Austin,_Texas
|
|
gptkbp:genre
|
independent film
comedy-drama
|
|
gptkbp:homeMediaRelease
|
gptkb:The_Criterion_Collection
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Slacker (film)
|
|
gptkbp:influenced
|
gptkb:Dazed_and_Confused_(film)
gptkb:Clerks_(film)
|
|
gptkbp:influencedBy
|
gptkb:John_Cassavetes
gptkb:Jim_Jarmusch
|
|
gptkbp:language
|
English
|
|
gptkbp:metacriticScore
|
69
|
|
gptkbp:musicBy
|
gptkb:Daniel_Johnston
gptkb:The_Butthole_Surfers
|
|
gptkbp:notableCast
|
gptkb:Richard_Linklater
gptkb:Kim_Krizan
Rudy Basquez
|
|
gptkbp:notableFor
|
nonlinear narrative
influential in American independent cinema
depiction of Austin subculture
|
|
gptkbp:notableQuote
|
Withdrawing in disgust is not the same as apathy.
|
|
gptkbp:notableScene
|
Madonna pap smear scene
|
|
gptkbp:premiereDate
|
gptkb:Sundance_Film_Festival
1991
|
|
gptkbp:preservationYear
|
2012
|
|
gptkbp:preservedIn
|
gptkb:United_States_National_Film_Registry
|
|
gptkbp:producer
|
gptkb:Richard_Linklater
|
|
gptkbp:releaseYear
|
1990
|
|
gptkbp:RottenTomatoesScore
|
81%
|
|
gptkbp:runtime
|
97 minutes
|
|
gptkbp:setting
|
gptkb:Austin,_Texas
|
|
gptkbp:style
|
improvisational
episodic
ensemble cast
|
|
gptkbp:subject
|
gptkb:philosophy
conspiracy theories
pop culture
bohemian lifestyle
|
|
gptkbp:writer
|
gptkb:Richard_Linklater
|
|
gptkbp:bfsParent
|
gptkb:Teresa_Taylor
|
|
gptkbp:bfsLayer
|
7
|