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gptkbp:instance_of
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gptkb:novel
gptkb:film
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gptkbp:bfsLayer
|
5
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gptkbp:bfsParent
|
gptkb:Three_Days_of_the_Condor
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|
gptkbp:adaptation
|
gptkb:television_series
gptkb:film
critically acclaimed
commercially successful
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:audience
|
gptkb:PG
|
|
gptkbp:author
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gptkb:James_Grady
|
|
gptkbp:awards
|
gptkb:award
gptkb:none
gptkb:CEO
BAFTA nomination
Academy Award nominations
|
|
gptkbp:based_on
|
the novel ' Six Days of the Condor' by James Grady
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|
gptkbp:box_office
|
$24 million
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|
gptkbp:budget
|
$7 million
|
|
gptkbp:character
|
gptkb:Kathy_Hale
gptkb:Max_De_Luca
gptkb:Joe_Turner
Director of the CIA
Rogue CIA agents
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|
gptkbp:character_development
|
complex characters
Joe Turner's transformation
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|
gptkbp:character_relationships
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internal conflict
external conflict
|
|
gptkbp:cinematography
|
gptkb:Owen_Roizman
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|
gptkbp:conflict
|
government conspiracy
assassination attempts
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
positive
generally positive
|
|
gptkbp:cultural_impact
|
inspired films
cult classic status
referenced in popular culture
inspired television series
influenced spy genre
inspired other spy novels
|
|
gptkbp:cultural_references
|
gptkb:military_operation
Cold War tensions
government secrecy
|
|
gptkbp:director
|
gptkb:Sydney_Pollack
|
|
gptkbp:distributor
|
gptkb:Paramount_Pictures
|
|
gptkbp:editor
|
Fredric Steinkamp
|
|
gptkbp:film_festival
|
gptkb:CEO
|
|
gptkbp:film_series
|
gptkb:CEO
|
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:Washington,_D._C.
|
|
gptkbp:filmography
|
gptkb:Robert_Redford
gptkb:Faye_Dunaway
gptkb:Max_von_Sydow
gptkb:film
117 minutes
Fredric Steinkamp
|
|
gptkbp:focus
|
survival against odds
|
|
gptkbp:followed_by
|
gptkb:CEO
|
|
gptkbp:genre
|
gptkb:Dave_Grusin
gptkb:film
|
|
gptkbp:home_media_release
|
gptkb:1977
DVD and Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Six Days of the Condor
|
|
gptkbp:influenced
|
subsequent spy films
|
|
gptkbp:influenced_artists
|
spy fiction
|
|
gptkbp:influenced_by
|
gptkb:Monarch
political climate of the 1970s
real-life espionage events
literary traditions of espionage fiction
The spy genre
|
|
gptkbp:inspiration
|
real-life CIA operations
|
|
gptkbp:is_motivated_by
|
gptkb:revenge
seeking justice
survival instinct
seeking truth
loyalty to country
|
|
gptkbp:isbn
|
978-0393080132
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Television_personality
gptkb:Joe_Turner
|
|
gptkbp:music_by
|
gptkb:Dave_Grusin
|
|
gptkbp:narrative_style
|
third-person
non-linear storytelling
suspenseful
|
|
gptkbp:notable_quote
|
“ The only thing that matters is the truth.”
|
|
gptkbp:page_count
|
256
|
|
gptkbp:plot
|
ACIA analyst uncovers a conspiracy.
|
|
gptkbp:plot_summary
|
ACIA analyst uncovers a conspiracy.
|
|
gptkbp:plot_twist
|
betrayal by allies
unexpected allies
betrayal by colleagues
|
|
gptkbp:production_company
|
gptkb:Paramount_Pictures
|
|
gptkbp:published_by
|
gptkb:1974
|
|
gptkbp:published_year
|
gptkb:1996
|
|
gptkbp:publisher
|
gptkb:W._W._Norton_&_Company
|
|
gptkbp:reader_demographic
|
adult
engaged
thought-provoking
|
|
gptkbp:release_date
|
1975-10-15
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:release_year
|
gptkb:1975
|
|
gptkbp:remake
|
gptkb:CEO
|
|
gptkbp:role
|
gptkb:government_agency
|
|
gptkbp:runtime
|
117 minutes
|
|
gptkbp:screenplay_by
|
gptkb:David_Rayfiel
|
|
gptkbp:sequel
|
gptkb:Shadow_of_the_Condor
|
|
gptkbp:setting
|
gptkb:Washington,_D._C.
gptkb:United_States
1970s
|
|
gptkbp:soundtrack
|
Dave Grusin's score
|
|
gptkbp:starring
|
gptkb:Robert_Redford
gptkb:Faye_Dunaway
gptkb:Max_von_Sydow
|
|
gptkbp:style
|
fast-paced
realistic
suspenseful
|
|
gptkbp:symbolism
|
gptkb:loyalty
truth
trust and deception
|
|
gptkbp:theme
|
gptkb:betrayal
paranoia
government conspiracy
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:survival
espionage
|
|
gptkbp:viewing_platform
|
theatrical release
|
|
gptkbp:writer
|
gptkb:David_Rayfiel
|