gptkbp:instance_of
|
gptkb:novel
gptkb:theater_productions
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:musical_adaptation
gptkb:radio_station
gptkb:stage_adaptation
gptkb:television_adaptation
gptkb:theater
gptkb:television
gptkb:film
gptkb:stage_play
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gptkbp:adaptation_year
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gptkb:1952
gptkb:1975
gptkb:1999
gptkb:2000
gptkb:2003
gptkb:2010
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gptkbp:adapted_into
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gptkb:film_adaptation
gptkb:television_adaptation
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gptkbp:author
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gptkb:Theodore_Dreiser
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gptkbp:based_on
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novel by Theodore Dreiser
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gptkbp:character_arc
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Hurstwood's downfall
Carrie's rise and fall
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gptkbp:character_development
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gptkb:complex
Carrie's transformation
Hurstwood's decline
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gptkbp:character_relationships
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Carrie and Hurstwood
Carrie and her family
Carrie and her friends
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gptkbp:conflict
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internal conflict
external
internal
social conflict
man vs self
man vs society
personal vs society
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gptkbp:controversy
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moral issues
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gptkbp:critical_analysis
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feminist readings
feminist perspective
psychological interpretations
socioeconomic critiques
psychological perspective
socioeconomic perspective
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gptkbp:critical_reception
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controversial
mixed reviews
|
gptkbp:cultural_impact
|
gptkb:significant
inspired discussions on morality
inspired adaptations
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gptkbp:directed_by
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gptkb:David_Auburn
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gptkbp:duration
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approximately 2 hours
|
gptkbp:ended
|
ambiguous
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gptkbp:famous_person
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gptkb:George_Hurstwood
gptkb:Carrie_Meeber
Drouet
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gptkbp:followed_by
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gptkb:The_Financier
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gptkbp:genre
|
gptkb:drama
Naturalism
naturalism
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gptkbp:historical_context
|
industrialization
urbanization
turn of the 20th century America
|
https://www.w3.org/2000/01/rdf-schema#label
|
Sister Carrie
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gptkbp:influence
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American literature
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gptkbp:influence_on
|
subsequent authors
modern authors
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gptkbp:influenced
|
gptkb:F._Scott_Fitzgerald
gptkb:John_Steinbeck
gptkb:Ernest_Hemingway
gptkb:American_theater
|
gptkbp:influenced_by
|
naturalism
realism
American literary movements
French naturalism
|
gptkbp:inspiration
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Dreiser's own experiences
Dreiser's own life
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gptkbp:inspired
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gptkb:Sister_Carrie_(1952_film)
gptkb:Sister_Carrie_(1999_film)
Sister Carrie (theater production)
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gptkbp:isbn
|
978-0-486-28080-0
978-0-486-28056-0
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gptkbp:language
|
English
|
gptkbp:literary_movement
|
gptkb:Realism
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gptkbp:literary_significance
|
depiction of urban life
exploration of women's issues
pioneering work in naturalism
pioneering work in American naturalism
|
gptkbp:main_character
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gptkb:George_Hurstwood
gptkb:Carrie_Meeber
|
gptkbp:motif
|
love
failure
isolation
the American Dream
desire
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gptkbp:narrative_style
|
stream of consciousness
third-person omniscient
|
gptkbp:notable_production
|
2000 revival
|
gptkbp:notable_quote
|
“ Life is a struggle.”
“ She had a sense of her own worth.”
“ She was a creature of the city.”
“ She was not a woman to be trifled with.”
“ The world was hers for the taking.”
" Life is a struggle."
" Ambition is the key to success."
" Love is a fleeting thing."
" She was a creature of the city."
" The world is a great stage."
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gptkbp:notable_themes
|
gptkb:feminism
urban life
the American Dream
|
gptkbp:notable_work
|
gptkb:Theodore_Dreiser
|
gptkbp:original_language
|
English
|
gptkbp:page_count
|
400
approximately 400
|
gptkbp:preceded_by
|
gptkb:Sister_Carrie:_A_Novel_of_the_City
|
gptkbp:premiered_on
|
1906
|
gptkbp:produced_by
|
gptkb:The_Goodman_Theatre
|
gptkbp:protagonist
|
gptkb:Female
|
gptkbp:published
|
1900
|
gptkbp:published_in
|
1900
|
gptkbp:publisher
|
gptkb:Doubleday
gptkb:Doubleday,_Page_&_Company
|
gptkbp:reader_demographic
|
mixed reviews at publication
modern acclaim
|
gptkbp:setting
|
gptkb:Chicago
gptkb:New_York_City
|
gptkbp:symbolism
|
gptkb:theater
the city
the theater
the train
|
gptkbp:theme
|
gptkb:social_class
gptkb:feminism
ambition
|
gptkbp:themes
|
gptkb:social_class
love
ambition
|
gptkbp:written_by
|
gptkb:Theodore_Dreiser
gptkb:William_Inge
|
gptkbp:bfsParent
|
gptkb:American_Realism
gptkb:Carrie
|
gptkbp:bfsLayer
|
4
|