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gptkbp:instance_of
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gptkb:literary_work
|
|
gptkbp:adaptations
|
gptkb:films
gptkb:theatrical_performances
stage plays
novels inspired by
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|
gptkbp:author
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gptkb:Philip_Sidney
|
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gptkbp:character_development
|
complex characters
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|
gptkbp:character_relationships
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gptkb:friendship
romantic entanglements
family dynamics
|
|
gptkbp:critical_reception
|
well-regarded
|
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gptkbp:cultural_impact
|
inspired later works
|
|
gptkbp:cultural_references
|
gptkb:mythology
classical literature
Renaissance ideals
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gptkbp:form
|
prose and poetry
|
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gptkbp:genre
|
pastoral romance
|
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gptkbp:historical_context
|
Elizabethan era
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https://www.w3.org/2000/01/rdf-schema#label
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Sidney's Arcadia
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gptkbp:influence
|
gptkb:literature
|
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gptkbp:influenced
|
gptkb:William_Shakespeare
gptkb:John_Bunyan
gptkb:John_Milton
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
gptkb:metaphor
gptkb:dialogue
gptkb:allegory
imagery
|
|
gptkbp:narrative_style
|
frame narrative
|
|
gptkbp:notable_characters
|
Pamela
Musidorus
Philoclea
|
|
gptkbp:notable_quote
|
" Love is a sweet tyranny."
" The best of men are made of clay."
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|
gptkbp:publications
|
posthumously published
|
|
gptkbp:published
|
1598
|
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gptkbp:related_works
|
gptkb:The_Countess_of_Pembroke's_Arcadia
|
|
gptkbp:scholarly_analysis
|
gptkb:historical_significance
various interpretations
literary significance
extensively studied
|
|
gptkbp:setting
|
gptkb:Arcadia
|
|
gptkbp:symbolism
|
nature
courtly love
pastoral ideal
|
|
gptkbp:themes
|
gptkb:politics
gptkb:identity
gptkb:society
love
morality
human nature
|
|
gptkbp:bfsParent
|
gptkb:Philip_Sidney
|
|
gptkbp:bfsLayer
|
5
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