Shakespeare's Twelfth Night
GPTKB entity
Statements (52)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
gptkb:musical
gptkb:film |
| gptkbp:character |
gptkb:Sir_Toby_Belch
gptkb:Sir_Andrew_Aguecheek gptkb:Antonio gptkb:Feste gptkb:Malvolio gptkb:Sebastian Fabian Viola's twin brother |
| gptkbp:cultural_impact |
inspired various artworks
often referenced in popular culture influenced theatrical conventions adapted into various languages inspired operas and ballets part of the Western literary canon frequently studied in literature courses celebrated during Shakespeare festivals depicts the folly of ambition examines social class and ambition explores themes of gender and sexuality features comedic elements and misunderstandings highlights the absurdity of love utilizes wordplay and puns. |
| gptkbp:first_performance |
1602
|
| gptkbp:genre |
gptkb:musical
|
| https://www.w3.org/2000/01/rdf-schema#label |
Shakespeare's Twelfth Night
|
| gptkbp:influence |
inspired many adaptations
influenced modern romantic comedies |
| gptkbp:language |
Early Modern English
|
| gptkbp:main_character |
gptkb:Olivia
gptkb:Orsino gptkb:Viola |
| gptkbp:notable_performance |
performed worldwide
often performed in schools |
| gptkbp:notable_quote |
All the world's a stage.
If music be the food of love, play on. |
| gptkbp:plot |
gptkb:starship
love triangle final reconciliation mistaken identity disguise as a man Malvolio's humiliation |
| gptkbp:published_by |
1623
|
| gptkbp:setting |
gptkb:Illyria
|
| gptkbp:theme |
gptkb:TV_series
gptkb:item love |
| gptkbp:written_by |
gptkb:Educational_Institution
|
| gptkbp:bfsParent |
gptkb:All_Shook_Up
|
| gptkbp:bfsLayer |
4
|