gptkbp:instance_of
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gptkb:play
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
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gptkb:Cleopatra
gptkb:Cleopatra_VII
gptkb:Mark_Antony
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gptkbp:adaptation
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gptkb:ballet
gptkb:opera
gptkb:film
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gptkbp:character_relationships
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gptkb:Antony_and_Cleopatra
Antony and Octavius Caesar
Cleopatra and Octavius Caesar
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gptkbp:critical_reception
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mixed reviews
considered a classic
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gptkbp:cultural_impact
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influenced literature
inspired music
inspired artworks
adapted into modern settings
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gptkbp:first_performance
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1606
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gptkbp:genre
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gptkb:earthquake
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gptkbp:historical_context
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gptkb:Monarch
gptkb:Ptolemaic_Kingdom_of_Egypt
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https://www.w3.org/2000/01/rdf-schema#label
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Shakespeare's Antony and Cleopatra
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gptkbp:inspiration
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gptkb:Plutarch's_Lives
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gptkbp:language
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Early Modern English
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gptkbp:main_character
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gptkb:Cleopatra
gptkb:Mark_Antony
gptkb:Octavius_Caesar
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gptkbp:notable_performance
|
frequently performed
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gptkbp:notable_production
|
gptkb:theatre
gptkb:Royal_Shakespeare_Company
gptkb:film
international performances
Broadway adaptations
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gptkbp:notable_quote
|
" My heart is in the coffin there with Caesar"
" The noblest Roman of them all"
" I am no pilot; yet, wilt thou lend thine own"
" There is nothing left remarkable beneath the visiting moon"
" Age cannot wither her, nor custom stale her infinite variety"
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gptkbp:number_of_stages
|
requires complex staging
requires elaborate costumes
requires large cast
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gptkbp:published_by
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1623
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gptkbp:scholarships
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various interpretations
extensively analyzed
feminist readings
historical readings
psychological readings
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gptkbp:set_in
|
gptkb:historical_figure
|
gptkbp:theme
|
gptkb:betrayal
gptkb:superhero
love
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gptkbp:written_by
|
gptkb:Educational_Institution
|