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gptkbp:instance_of
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gptkb:play
|
|
gptkbp:adaptation
|
gptkb:ballet
gptkb:opera
gptkb:film
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|
gptkbp:character_relationships
|
gptkb:Antony_and_Cleopatra
Antony and Octavius Caesar
Cleopatra and Octavius Caesar
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|
gptkbp:critical_reception
|
mixed reviews
considered a classic
|
|
gptkbp:cultural_impact
|
influenced literature
inspired music
inspired artworks
adapted into modern settings
|
|
gptkbp:first_performance
|
1606
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|
gptkbp:genre
|
gptkb:tragedy
|
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gptkbp:historical_context
|
gptkb:Roman_Republic
gptkb:Ptolemaic_Kingdom_of_Egypt
|
|
https://www.w3.org/2000/01/rdf-schema#label
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Shakespeare's Antony and Cleopatra
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gptkbp:inspiration
|
gptkb:Plutarch's_Lives
|
|
gptkbp:language
|
Early Modern English
|
|
gptkbp:main_character
|
gptkb:Cleopatra
gptkb:Mark_Antony
gptkb:Octavius_Caesar
|
|
gptkbp:notable_production
|
gptkb:film_adaptations
gptkb:Royal_Shakespeare_Company
gptkb:theater
international performances
Broadway adaptations
|
|
gptkbp:notable_quote
|
" My heart is in the coffin there with Caesar"
" The noblest Roman of them all"
" I am no pilot; yet, wilt thou lend thine own"
" There is nothing left remarkable beneath the visiting moon"
" Age cannot wither her, nor custom stale her infinite variety"
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|
gptkbp:number_of_stages
|
requires complex staging
requires elaborate costumes
requires large cast
|
|
gptkbp:performance_tradition
|
frequently performed
|
|
gptkbp:published_in
|
1623
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|
gptkbp:scholarships
|
various interpretations
extensively analyzed
feminist readings
historical readings
psychological readings
|
|
gptkbp:set_in
|
gptkb:Ancient_Egypt
|
|
gptkbp:theme
|
gptkb:power
gptkb:betrayal
love
|
|
gptkbp:written_by
|
gptkb:William_Shakespeare
|
|
gptkbp:bfsParent
|
gptkb:Mark_Antony
|
|
gptkbp:bfsLayer
|
4
|