|
gptkbp:instanceOf
|
gptkb:band
|
|
gptkbp:activeYearsEnd
|
2019
|
|
gptkbp:activeYearsStart
|
1979
|
|
gptkbp:associatedAct
|
Coklacoma
The Splinter Test
Tom Ellard
|
|
gptkbp:country
|
gptkb:Australia
|
|
gptkbp:disbanded
|
2019
|
|
gptkbp:formedIn
|
1979
|
|
gptkbp:founder
|
Tom Ellard
|
|
gptkbp:genre
|
industrial
electronic
experimental
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Severed Heads
|
|
gptkbp:influenced
|
gptkb:Regurgitator
gptkb:The_Presets
Cut Copy
|
|
gptkbp:influencedBy
|
gptkb:Brian_Eno
gptkb:Kraftwerk
gptkb:Cabaret_Voltaire
|
|
gptkbp:label
|
gptkb:Ink_Records
gptkb:Red_Flame
gptkb:Nettwerk
Volition Records
Sevcom
|
|
gptkbp:notableAlbum
|
Come Visit the Big Bigot
Gigapus
Rotund for Success
Since the Accident
|
|
gptkbp:notableFor
|
early use of video synthesis in live shows
pioneering use of tape loops and sampling
|
|
gptkbp:notableMember
|
gptkb:Stephen_Jones
gptkb:Richard_Fielding
Garry Bradbury
Paul Deering
Simon Knuckey
Tom Ellard
|
|
gptkbp:notableSong
|
gptkb:All_Saints_Day
Dead Eyes Opened
Greater Reward
|
|
gptkbp:origin
|
gptkb:Sydney,_Australia
|
|
gptkbp:performedAt
|
gptkb:Sydney_Opera_House
|
|
gptkbp:website
|
http://www.sevcom.com/
|
|
gptkbp:bfsParent
|
gptkb:The_Machinations
gptkb:Severed_Heads_(英訳タイトル)
|
|
gptkbp:bfsLayer
|
7
|