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gptkbp:instance_of
|
gptkb:musical
|
|
gptkbp:associated_with
|
gptkb:Konzertstück_for_Four_Horns,_Op._86
gptkb:Das_Paradies_und_die_Peri,_Op._50
gptkb:Genoveva,_Op._81
gptkb:Overture,_Scherzo_and_Finale,_Op._52
gptkb:German_Romanticism
gptkb:Piano_Concerto_in_A_minor,_Op._54
gptkb:Manfred,_Op._115
gptkb:Symphonic_Studies,_Op._56
gptkb:Symphony_No._5_in_D_minor,_Op._107
Dresden music scene
Leipzig music scene
|
|
gptkbp:composer
|
gptkb:Robert_Schumann
|
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gptkbp:critical_reception
|
generally positive
|
|
gptkbp:cultural_impact
|
significant impact on symphonic repertoire
|
|
gptkbp:dedication
|
gptkb:N/_A
|
|
gptkbp:duration
|
approximately 30-40 minutes per symphony
|
|
gptkbp:first_performance
|
1841
|
|
gptkbp:genre
|
gptkb:symphony
|
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gptkbp:has_soundtrack
|
gptkb:Symphony_No._1_in_B-flat_major,_Op._38
gptkb:Symphony_No._2_in_C_major,_Op._61
gptkb:Symphony_No._3_in_E-flat_major,_Op._97
gptkb:Symphony_No._4_in_D_minor,_Op._120
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gptkbp:historical_significance
|
important in the development of symphonic form
|
|
gptkbp:influenced_by
|
gptkb:Schubert
gptkb:Beethoven
gptkb:Brahms
gptkb:Mendelssohn
|
|
gptkbp:influences
|
Romantic music
|
|
gptkbp:inspiration
|
personal experiences
|
|
gptkbp:key
|
various keys
|
|
gptkbp:music_composer
|
gptkb:4
|
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gptkbp:notable_conductors
|
gptkb:Herbert_von_Karajan
gptkb:Gustavo_Dudamel
gptkb:Riccardo_Chailly
gptkb:Daniel_Barenboim
gptkb:Bernstein
|
|
gptkbp:notable_performers
|
gptkb:Berlin_Philharmonic
gptkb:Vienna_Philharmonic
|
|
gptkbp:orchestration
|
full orchestra
|
|
gptkbp:performance
|
ongoing performances
|
|
gptkbp:performance_tradition
|
frequent concert repertoire
|
|
gptkbp:premiere_location
|
gptkb:Dresden
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gptkbp:record_label
|
various record labels
|
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gptkbp:recordings
|
multiple recordings available
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gptkbp:style
|
Romantic style
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gptkbp:year_composed
|
1841
1846
1850
1851
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gptkbp:bfsParent
|
gptkb:Boston_Symphony_Orchestra
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gptkbp:bfsLayer
|
4
|