Statements (59)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:piano
|
| gptkbp:characteristic |
lyrical melodies
expressive depth rich harmonies contrasting themes |
| gptkbp:composer |
gptkb:Franz_Schubert
|
| gptkbp:cultural_significance |
important work in piano repertoire
|
| gptkbp:dedication |
to the pianist Franz Liszt
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:featured_in |
in film soundtracks
|
| gptkbp:form |
Sonata form
|
| gptkbp:historical_context |
composed during Schubert's mature period
|
| https://www.w3.org/2000/01/rdf-schema#label |
Schubert's D. 814
|
| gptkbp:influence |
Romantic music
|
| gptkbp:influenced |
later composers
piano pedagogy |
| gptkbp:inspired |
piano competitions
|
| gptkbp:is_analyzed_in |
in music theory courses
in musicology studies |
| gptkbp:key |
A minor
|
| gptkbp:movement |
gptkb:Allegro_moderato
gptkb:Andante gptkb:Rondo:_Allegro_vivace Scherzo: Allegro |
| gptkbp:notable_performances |
by Daniel Barenboim
by Alfred Brendel by Mitsuko Uchida |
| gptkbp:notable_recordings |
by Evgeny Kissin
by Lang Lang by Martha Argerich by Vladimir Ashkenazy by András Schiff by Leif Ove Andsnes by Yefim Bronfman by Nikolai Lugansky by Richard Goode by Stephen Hough by Jean-Efflam Bavouzet |
| gptkbp:notable_traits |
use of counterpoint
thematic development rhythmic variety emotional contrasts |
| gptkbp:opus_number |
D. 814
|
| gptkbp:part_of |
gptkb:Schubert's_piano_sonatas
|
| gptkbp:performed_in |
in music festivals
in concert halls worldwide |
| gptkbp:published |
posthumously in 1851
|
| gptkbp:recordings |
widely recorded
|
| gptkbp:second_movement |
gptkb:exhibition
gptkb:developers theme and variations recapitulation finale trio section |
| gptkbp:style |
Classical and Romantic blend
|
| gptkbp:transcribed_for |
for various instruments
|
| gptkbp:year_composed |
1825
|
| gptkbp:bfsParent |
gptkb:Im_Tempo_eines_gemächlichen_Ländlers
|
| gptkbp:bfsLayer |
5
|