Statements (84)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Piano_Sonata
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Alfred_Brendel
|
| gptkbp:adaptation |
arrangements for different ensembles
|
| gptkbp:analysis |
frequently analyzed in musicology
frequently studied in musicology |
| gptkbp:artistic_influence |
influenced by late Romantic music
elements of atonality |
| gptkbp:audience |
challenging for traditional audiences
|
| gptkbp:composer |
gptkb:Arnold_Schoenberg
|
| gptkbp:contribution |
to the development of contemporary classical music
|
| gptkbp:critical_reception |
mixed reviews at premiere
|
| gptkbp:cultural_impact |
influenced modern classical music
influenced modern composers |
| gptkbp:cultural_references |
often referenced in discussions of modernism
|
| gptkbp:cultural_significance |
reflects the turmoil of its time
|
| gptkbp:dedication |
to the memory of Alban Berg
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:filming_location |
gptkb:Boston
|
| gptkbp:first_performance |
by the Boston Symphony Orchestra
|
| gptkbp:focuses_on |
studied in music theory courses
often included in music curricula |
| gptkbp:historical_context |
varied interpretations by different artists
composed during World War II varied among performers |
| https://www.w3.org/2000/01/rdf-schema#label |
Schoenberg Piano Concerto
|
| gptkbp:influenced_artists |
inspired later 20th-century composers
|
| gptkbp:influences |
Romantic music
expressionism |
| gptkbp:innovation |
represents innovation in classical music.
|
| gptkbp:inspiration |
Schoenberg's personal experiences
|
| gptkbp:is_a_venue_for |
performed in concert halls worldwide
performed in major concert halls |
| gptkbp:is_critical_for |
subject of numerous scholarly articles
|
| gptkbp:is_influenced_by |
Wagner and Brahms
|
| gptkbp:key |
C major
C minor |
| gptkbp:legacy |
remains a staple in contemporary repertoire
|
| gptkbp:motif |
recurring motifs throughout the work
|
| gptkbp:movement |
gptkb:Allegro
gptkb:Andante gptkb:3 three Allegro molto |
| gptkbp:music_style |
sonata form in first movement
non-traditional uses counterpoint distinctive and original |
| gptkbp:notable_artists |
gptkb:Artur_Schnabel
|
| gptkbp:notable_conductors |
gptkb:Bernstein
|
| gptkbp:notable_feature |
use of atonality
use of twelve-tone technique |
| gptkbp:notable_performance |
many renowned pianists
performed at major music festivals documented in music history. various pianists and orchestras requires deep understanding of 12-tone technique |
| gptkbp:notable_recordings |
multiple recordings available
many notable recordings exist available on various labels by Maurizio Pollini |
| gptkbp:orchestration |
piano and orchestra
|
| gptkbp:performance |
performed worldwide
requires advanced technique technical demands on the pianist evolving performance practices over time |
| gptkbp:premiere |
gptkb:1942
|
| gptkbp:published_by |
by Universal Edition
|
| gptkbp:record_label |
gptkb:Deutsche_Grammophon
|
| gptkbp:related_works |
gptkb:Piano_Concerto_by_Alban_Berg
Schoenberg's other concertos |
| gptkbp:significance |
important work in 20th-century music
important in 20th-century classical music |
| gptkbp:social_structure |
three movements
|
| gptkbp:sound |
complex and layered sound
|
| gptkbp:style |
atonal
12-tone music evolved throughout his career |
| gptkbp:thematic_element |
complex and varied
innovative and complex exploration of dissonance |
| gptkbp:theme |
recurring throughout the work
|
| gptkbp:theory |
art as a reflection of society
|
| gptkbp:unit_history |
pioneering figure in modern music
|