|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:theater
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:1960
|
|
gptkbp:adapted_into
|
gptkb:Karel_Reisz
|
|
gptkbp:author
|
gptkb:Alan_Sillitoe
|
|
gptkbp:available_in
|
audiobook format
|
|
gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_British_Film
gptkb:BAFTA_Award_for_Best_Actor
gptkb:BAFTA_Award_for_Best_Actress
|
|
gptkbp:based_on
|
gptkb:novel
Saturday Night and Sunday Morning (novel)
|
|
gptkbp:box_office
|
£1.5 million
|
|
gptkbp:cast
|
gptkb:Rachel_Roberts
gptkb:James_Bolam
gptkb:Albert_Finney
gptkb:Shirley_Anne_Field
|
|
gptkbp:character
|
gptkb:Bert
Doreen
Mr. Seaton
Mrs. Seaton
|
|
gptkbp:character_development
|
Arthur Seaton's journey
|
|
gptkbp:cinematography
|
gptkb:Freddie_Francis
|
|
gptkbp:cinematography_by
|
gptkb:Freddie_Francis
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
positive
well-received
|
|
gptkbp:cultural_impact
|
British literature
inspired filmmakers
depicted youth culture
influenced British cinema
depicted post-war Britain
depicted working class struggles
|
|
gptkbp:cultural_references
|
gptkb:popular_culture
|
|
gptkbp:cultural_significance
|
depiction of youth culture
|
|
gptkbp:depicts
|
post-war Britain
|
|
gptkbp:directed_by
|
gptkb:Karel_Reisz
|
|
gptkbp:director
|
gptkb:Karel_Reisz
|
|
gptkbp:edited_by
|
gptkb:Peter_Taylor
|
|
gptkbp:explores
|
class struggle
gender roles
youth rebellion
|
|
gptkbp:featured_in
|
literary studies
|
|
gptkbp:film
|
English
|
|
gptkbp:film_awards
|
BAFTA nominations
|
|
gptkbp:film_editing
|
gptkb:Peter_Taylor
gptkb:1960
|
|
gptkbp:film_length
|
104 minutes
|
|
gptkbp:followed_by
|
gptkb:The_Loneliness_of_the_Long_Distance_Runner
|
|
gptkbp:follows
|
a young man
|
|
gptkbp:genre
|
gptkb:John_Addison
gptkb:drama
social realism
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Saturday Night and Sunday Morning
|
|
gptkbp:influence
|
gptkb:Angry_Young_Men_movement
kitchen sink realism
|
|
gptkbp:influenced
|
gptkb:British_New_Wave_cinema
British cinema
kitchen sink realism
modern British authors
subsequent British novels
|
|
gptkbp:influenced_by
|
gptkb:Italian_neorealism
|
|
gptkbp:inspired
|
theatre adaptations
|
|
gptkbp:inspired_by
|
Sillitoe's own experiences
|
|
gptkbp:is_discussed_in
|
academic papers
|
|
gptkbp:isbn
|
978-0-14-118202-5
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:John_Barry
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:notable_character
|
gptkb:Brenda
Doreen
Mr. Seaton
|
|
gptkbp:notable_quote
|
“ What do you want to do with your life?”
' I want to be free.'
' I’m not a man of the world.'
' I’m not going to be a slave.'
“ I’m not a man, I’m a machine.”
“ You can’t have everything.”
|
|
gptkbp:page_count
|
192
|
|
gptkbp:produced_by
|
gptkb:Arthur_Seaton
|
|
gptkbp:production_company
|
gptkb:Woodfall_Film_Productions
|
|
gptkbp:protagonist
|
gptkb:Arthur_Seaton
|
|
gptkbp:published
|
gptkb:1958
|
|
gptkbp:publisher
|
gptkb:W._H._Allen
|
|
gptkbp:release_year
|
1960-12-01
|
|
gptkbp:released
|
gptkb:1960
|
|
gptkbp:released_in
|
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:remake
|
gptkb:Saturday_Night_and_Sunday_Morning_(2010)
|
|
gptkbp:runtime
|
89 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Alan_Sillitoe
|
|
gptkbp:set_in
|
gptkb:Nottingham
|
|
gptkbp:setting
|
gptkb:Nottingham
|
|
gptkbp:starring
|
gptkb:Rachel_Roberts
gptkb:James_Mason
gptkb:Albert_Finney
gptkb:Shirley_Anne_Field
|
|
gptkbp:style
|
stream of consciousness
realistic dialogue
vivid descriptions
|
|
gptkbp:theme
|
working-class life
|
|
gptkbp:themes
|
gptkb:identity
romantic relationships
social change
class struggle
personal freedom
youth rebellion
working class life
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:writer
|
gptkb:Alan_Sillitoe
|
|
gptkbp:bfsParent
|
gptkb:Karel_Reisz
gptkb:British_New_Wave_cinema
gptkb:Alan_Sillitoe
gptkb:Woodfall_Film_Productions
|
|
gptkbp:bfsLayer
|
5
|