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gptkbp:instance_of
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gptkb:musical_composition
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gptkbp:bfsLayer
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5
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gptkbp:bfsParent
|
gptkb:Eric_Satie
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gptkbp:adaptation
|
orchestral arrangements
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gptkbp:associated_with
|
gptkb:Artist
gptkb:artwork
surrealism
|
|
gptkbp:collaborations
|
gptkb:Robert_Rauschenberg
|
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gptkbp:composer
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gptkb:Erik_Satie
|
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gptkbp:cultural_impact
|
influenced contemporary music
|
|
gptkbp:cultural_significance
|
exploration of time in music
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|
gptkbp:dedicated_to
|
the performer
|
|
gptkbp:explores
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the nature of music
the limits of performance
|
|
gptkbp:filming_location
|
gptkb:Borough
|
|
gptkbp:first_performance
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gptkb:1963
|
|
gptkbp:genre
|
avant-garde
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gptkbp:has_part
|
gptkb:musical
|
|
gptkbp:historical_context
|
piano solo versions
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|
https://www.w3.org/2000/01/rdf-schema#label
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Satie's Vexations
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gptkbp:influenced
|
ambient music
postmodern music
|
|
gptkbp:influenced_artists
|
works by Philip Glass
|
|
gptkbp:influenced_by
|
impressionism
minimalism
|
|
gptkbp:inspired
|
endurance performances
|
|
gptkbp:is_criticized_for
|
discussions on repetition
|
|
gptkbp:is_influential_in
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gptkb:John_Cage
|
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gptkbp:notable_event
|
Vexations marathon performances
|
|
gptkbp:notable_feature
|
time and space in music
|
|
gptkbp:notable_for
|
repetition of a short theme
|
|
gptkbp:notable_performance
|
John Cage's interpretation
|
|
gptkbp:notable_performers
|
gptkb:Marina_Abramović
|
|
gptkbp:notable_recordings
|
Piano version by various artists
|
|
gptkbp:number_of_matches
|
840
|
|
gptkbp:part_of
|
Satie's oeuvre
|
|
gptkbp:performance
|
experimental
approximately 18 hours
|
|
gptkbp:performed_by
|
gptkb:festival
art installations
various pianists
experimental musicians
|
|
gptkbp:published_by
|
Choudens
|
|
gptkbp:related_to
|
gptkb:musique_concrète
gptkb:artwork
sound art
|
|
gptkbp:signature_move
|
4/4
E major
|
|
gptkbp:themes
|
gptkb:existentialism
|
|
gptkbp:title
|
Vexations
|
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gptkbp:year_composed
|
1893
|