Statements (59)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Béla_Tarr
|
| gptkbp:based_on |
novel by László Krasznahorkai
|
| gptkbp:cinematography |
gptkb:Miklós_Jancsó
|
| gptkbp:country |
gptkb:Hungary
|
| gptkbp:directed_by |
gptkb:Béla_Tarr
|
| gptkbp:features |
long takes
|
| gptkbp:filmography |
black and white
social commentary philosophical themes non-linear storytelling social realism visual storytelling metaphysical elements emotional resonance symbolic imagery psychological depth existential themes cultural critique thematic depth minimal dialogue poetic realism character-driven narrative character exploration slow pacing naturalistic lighting long shots circular narrative introspective tone ambiguous narrative ambience-driven storytelling |
| gptkbp:follows |
a group of villagers
|
| gptkbp:genre |
gptkb:High_School
|
| gptkbp:has_character |
the children
the priest the farmer the teacher the doctor the widow the couple Félicité the old woman Mihály Irimias Péter |
| gptkbp:has_theme |
gptkb:survival
gptkb:Community_Center isolation human condition despair |
| https://www.w3.org/2000/01/rdf-schema#label |
Satantango
|
| gptkbp:influenced_by |
neorealism
|
| gptkbp:language |
Hungarian
|
| gptkbp:music_by |
gptkb:Mihály_Víg
|
| gptkbp:notable_for |
its unique narrative structure
|
| gptkbp:premiered_on |
gptkb:film_festival
|
| gptkbp:release_year |
gptkb:1994
|
| gptkbp:runtime |
450 minutes
|