|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Edna_Ferber
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:battle
moderate
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:author
|
gptkb:Edna_Ferber
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:box_office
|
$2.5 million
$1.5 million
|
|
gptkbp:character_arc
|
gptkb:Transformation
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:cinematography
|
gptkb:William_H._Daniels
|
|
gptkbp:conflict
|
personal and societal
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:cultural_significance
|
explores themes of ambition and desire.
|
|
gptkbp:director
|
gptkb:Sam_Wood
|
|
gptkbp:filmography
|
gptkb:Gary_Cooper
gptkb:Ingrid_Bergman
George Hively
|
|
gptkbp:genre
|
gptkb:Max_Steiner
gptkb:church
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Saratoga Trunk
|
|
gptkbp:influences
|
American literature
Southern literature
|
|
gptkbp:inspiration
|
real-life events
|
|
gptkbp:isbn
|
978-1-5011-1234-5
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:George_Mc_Gowan
Clio Dulaine
|
|
gptkbp:motif
|
gptkb:betrayal
gptkb:wealth
redemption
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:notable_quote
|
" The past is never dead. It's not even past."
|
|
gptkbp:page_count
|
400
|
|
gptkbp:production_company
|
gptkb:Warner_Bros.
|
|
gptkbp:published_by
|
1941
|
|
gptkbp:publisher
|
gptkb:Doubleday
|
|
gptkbp:release_year
|
1943
1951
|
|
gptkbp:screenplay_by
|
gptkb:Lillian_Hellman
|
|
gptkbp:setting
|
gptkb:Saratoga_Springs,_New_York
|
|
gptkbp:symbolism
|
gptkb:Saratoga_Springs
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:class
love
|
|
gptkbp:year
|
gptkb:late_19th_century
|