Properties (51)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
Person
|
| gptkbp:activeYears |
1940-1997
|
| gptkbp:almaMater |
gptkb:University_of_Southern_California
|
| gptkbp:awards |
Golden Lion
|
| gptkbp:birthDate |
1924-08-12
|
| gptkbp:burialPlace |
Cemetery of the Holy Cross
|
| gptkbp:children |
gptkb:Sam_Fuller_III
|
| gptkbp:collaboratedWith |
gptkb:Lee_Marvin
gptkb:Warren_Beatty Clint Eastwood |
| gptkbp:deathDate |
1997-10-30
|
| gptkbp:filmography |
Emotional depth
Historical context Personal experiences Social realism Symbolism Gritty realism Moral ambiguity Visual storytelling Cinematic techniques Cultural commentary Genre blending Psychological depth Cultural critique Character-driven narratives Character arcs Narrative complexity Character-driven stories Cinematic language Visual metaphors Narrative experimentation Unconventional narratives Intense dialogue Violent imagery Social issues exploration Cinematic_innovation |
| gptkbp:genre |
Film Noir
War Film |
| https://www.w3.org/2000/01/rdf-schema#label |
Sam Fuller Jr.
|
| gptkbp:influenced |
gptkb:Francis_Ford_Coppola
gptkb:Quentin_Tarantino Martin Scorsese |
| gptkbp:influencedBy |
gptkb:D.W._Griffith
|
| gptkbp:knownFor |
Social commentary in films
Bold storytelling |
| gptkbp:nationality |
American
|
| gptkbp:notableWork |
The Naked Kiss
Shock Corridor The Steel Helmet |
| gptkbp:occupation |
gptkb:Film_Director
|
| gptkbp:spouse |
gptkb:Christina_Fuller
|