gptkbp:instance_of
|
gptkb:film
|
gptkbp:based_on
|
real events
|
gptkbp:box_office
|
$1,000,000
|
gptkbp:budget
|
gptkb:$100,000
|
gptkbp:cast
|
gptkb:Will_Geer
gptkb:David_Wolfe
Ruth Attaway
Miriam R. R.
|
gptkbp:cinematography
|
gptkb:Haskell_Wexler
|
gptkbp:controversy
|
blacklisting of filmmakers
communist themes
|
gptkbp:critical_reception
|
cult classic
|
gptkbp:cultural_impact
|
inspired protests
influenced activists
|
gptkbp:cultural_significance
|
blacklisted filmmakers
|
gptkbp:director
|
gptkb:Herbert_J._Biberman
|
gptkbp:distributor
|
gptkb:United_Artists
|
gptkbp:editing
|
Paul Weatherwax
|
gptkbp:film_awards
|
gptkb:none
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
gptkbp:film_score
|
gptkb:original_score
|
gptkbp:filming_location
|
gptkb:New_Mexico
|
gptkbp:filmography
|
gptkb:character_development
gptkb:historical_significance
artistic expression
social commentary
socio-political commentary
labor rights advocacy
cultural critique
feminist perspective
working-class representation
realism in cinema
intersectionality in film
|
gptkbp:genre
|
gptkb:drama
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
https://www.w3.org/2000/01/rdf-schema#label
|
Salt of the Earth
|
gptkbp:influence
|
labor movement films
civil rights films
|
gptkbp:language
|
English
|
gptkbp:music
|
gptkb:Sol_Kaplan
|
gptkbp:narrative_style
|
neorealism
|
gptkbp:notable_for
|
depiction of labor rights
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival_1954
|
gptkbp:production_company
|
Independent Productions
|
gptkbp:release_year
|
gptkb:1954
|
gptkbp:renovation
|
gptkb:2000
|
gptkbp:restoration
|
gptkb:National_Film_Registry
gptkb:1996
|
gptkbp:screenplay
|
gptkb:Michael_Wilson
|
gptkbp:themes
|
gptkb:social_justice
gender equality
class struggle
|
gptkbp:bfsParent
|
gptkb:The_Followers_of_Jesus
gptkb:MJF
gptkb:Beggars_Banquet
gptkb:The_Rolling_Stones'_Rock_and_Roll_Circus
gptkb:Paul_Jarrico
|
gptkbp:bfsLayer
|
5
|