Statements (47)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
art exhibition
|
| gptkbp:attendance |
public
art critics |
| gptkbp:cultural_impact |
challenged traditional art norms
promoted avant-garde artists |
| gptkbp:established |
gptkb:Académie_des_Beaux-Arts
|
| gptkbp:exhibits |
annual exhibition
|
| gptkbp:features |
The_Dance_Class_by_Edgar_Degas
A_Studio_in_the_Batignolles_by_Henri_Fantin-Latour Still_Life_with_Apples_by_Paul_Cézanne The_Bath_by_Gustave_Courbet Woman_at_Her_Toilette_by_Berthe_Morisot |
| gptkbp:historicalContext |
gptkb:post-Haussmann_Paris
industrial revolution 19th century France rise of the bourgeoisie Paris_as_an_art_capital |
| https://www.w3.org/2000/01/rdf-schema#label |
Salon de Paris 1884
|
| gptkbp:influenced |
modern art movements
|
| gptkbp:legacy |
contributed to art criticism
encouraged art collectives fostered artist collaborations inspired art exhibitions worldwide influenced_future_Salons |
| gptkbp:location |
gptkb:Paris
|
| gptkbp:notable_artist |
gptkb:Henri_Fantin-Latour
gptkb:Gustave_Courbet gptkb:Paul_Cézanne gptkb:Edgar_Degas gptkb:Berthe_Morisot |
| gptkbp:notable_event |
artistic experimentation
public engagement with art controversial reception celebration of modern life introduction of new subjects celebration of artistic freedom critique of academic standards debate over Impressionism emergence of new styles emphasis on color and light highlighting of female artists rejection of traditional themes showcasing of diverse techniques |
| gptkbp:significance |
showcased_Impressionist_works
|
| gptkbp:style |
Impressionism
Realism |
| gptkbp:year |
1884
|