|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:The_120_Days_of_Sodom
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
gptkb:The_120_Days_of_Sodom
The 120 Days of Sodom by Marquis de Sade
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:cast
|
gptkb:Ugo_Tognazzi
gptkb:Giorgio_Cataldi
gptkb:Paolo_Bonacelli
gptkb:Sergio_Citti
gptkb:Massimo_Girotti
gptkb:Isabelle_Huppert
gptkb:Catherine_Gagnon
Alfredo Pea
|
|
gptkbp:cinematography
|
gptkb:Taviani_Brothers
|
|
gptkbp:cinematography_by
|
gptkb:Taviani_Brothers
|
|
gptkbp:controversy
|
gptkb:censorship
|
|
gptkbp:country
|
gptkb:Italy
|
|
gptkbp:critical_reception
|
polarizing
|
|
gptkbp:cultural_impact
|
gptkb:cultists
inspired art
subject of documentaries
influenced filmmakers
discussed in academia
analyzed in film studies
|
|
gptkbp:depicts
|
gptkb:Fascism
sexual violence
sadism
|
|
gptkbp:directed_by
|
gptkb:Pier_Paolo_Pasolini
|
|
gptkbp:director
|
gptkb:Pier_Paolo_Pasolini
|
|
gptkbp:distributor
|
gptkb:Troma_Entertainment
|
|
gptkbp:edited_by
|
gptkb:Nino_Baragli
|
|
gptkbp:film_festival
|
gptkb:Berlin_International_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:Venice_Film_Festival
gptkb:New_York_Film_Festival
|
|
gptkbp:film_technique
|
gptkb:Nymphomaniac
gptkb:A_Serbian_Film
gptkb:Antichrist
gptkb:The_Human_Centipede
Irreversible
|
|
gptkbp:genre
|
gptkb:drama
gptkb:horror
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Salò, or the 120 Days of Sodom
|
|
gptkbp:influence
|
gptkb:cultists
|
|
gptkbp:influenced
|
gptkb:film
political cinema
|
|
gptkbp:influenced_by
|
gptkb:existentialism
gptkb:postmodernism
gptkb:Italian_neorealism
gptkb:Marxism
gptkb:Dadaism
gptkb:feminism
surrealism
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:music_by
|
gptkb:Ennio_Morricone
|
|
gptkbp:music_composer
|
gptkb:Ennio_Morricone
|
|
gptkbp:narrative_style
|
satirical
|
|
gptkbp:notable_for
|
controversial content
|
|
gptkbp:notable_scene
|
the banquet scene
the final scene
the torture scenes
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:rating
|
NC-17
|
|
gptkbp:release_date
|
November 23, 1975
|
|
gptkbp:release_year
|
gptkb:1975
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:runtime
|
117 minutes
|
|
gptkbp:screenplay
|
gptkb:Pier_Paolo_Pasolini
|
|
gptkbp:screenplay_by
|
gptkb:Pier_Paolo_Pasolini
|
|
gptkbp:setting
|
gptkb:World_War_II
|
|
gptkbp:theme
|
gptkb:Fascism
|
|
gptkbp:themes
|
gptkb:corruption
gptkb:oppression
power dynamics
dehumanization
|
|
gptkbp:bfsParent
|
gptkb:Oedipus_Rex
|
|
gptkbp:bfsLayer
|
4
|