|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
BAFTA nomination
|
|
gptkbp:box_office
|
$1.3 million
|
|
gptkbp:budget
|
£1 million
|
|
gptkbp:character
|
gptkb:Amanda
Maud
|
|
gptkbp:character_arc
|
Maud's descent into madness
Maud's faith journey
transformation of Maud
|
|
gptkbp:cinematography_by
|
Ben Fordesman
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:directed_by
|
gptkb:Rose_Glass
|
|
gptkbp:distributor
|
gptkb:A24
|
|
gptkbp:edited_by
|
Mark Towns
|
|
gptkbp:film_festival
|
gptkb:Sitges_Film_Festival
gptkb:London_Film_Festival
gptkb:Fright_Fest
|
|
gptkbp:filming_location
|
gptkb:Cardiff
|
|
gptkbp:genre
|
gptkb:horror
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Saint Maud
|
|
gptkbp:influenced_by
|
gptkb:Hereditary
gptkb:The_Babadook
gptkb:The_Exorcist
gptkb:Carrie
gptkb:The_Witch
psychological horror films
religious horror films
|
|
gptkbp:inspiration
|
real-life events
Rose Glass's experiences
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Bobby_Krlic
|
|
gptkbp:plot
|
A pious nurse becomes dangerously obsessed with saving the soul of her dying patient.
|
|
gptkbp:premiered_on
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Pawel_Pawlikowski
|
|
gptkbp:release_format
|
gptkb:DVD
gptkb:Blu-ray
digital
theatrical
|
|
gptkbp:released_in
|
gptkb:2019
|
|
gptkbp:reviews
|
Metacritic score
Rotten Tomatoes score
|
|
gptkbp:runtime
|
84 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Rose_Glass
|
|
gptkbp:set_in
|
gptkb:England
|
|
gptkbp:starring
|
gptkb:Jennifer_Ehle
gptkb:Morfydd_Clark
|
|
gptkbp:symbolism
|
gptkb:death
gptkb:sacrifice
redemption
salvation
religious imagery
|
|
gptkbp:theme
|
faith
obsession
mental illness
|
|
gptkbp:bfsParent
|
gptkb:The_Witch_Who_Came_from_the_Sea
gptkb:Second_Sight_Films
|
|
gptkbp:bfsLayer
|
6
|