|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
surrealism
|
|
gptkbp:audience
|
cult classic status
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character
|
gptkb:The_Woman
|
|
gptkbp:character_arc
|
redemption
|
|
gptkbp:character_development
|
minimalist
|
|
gptkbp:character_relationships
|
trust issues
man vs. society
stranger to ally
|
|
gptkbp:cinematography
|
gptkb:Darius_Khondji
|
|
gptkbp:color
|
black and white
|
|
gptkbp:composer
|
gptkb:Gérard_Manset
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
cult following
|
|
gptkbp:cultural_significance
|
post-apocalyptic genre.
|
|
gptkbp:design
|
dystopian
|
|
gptkbp:director
|
gptkb:Jean-Pierre_Jeunet
|
|
gptkbp:distributor
|
gptkb:CIC
|
|
gptkbp:editor
|
gptkb:Nelly_Quettier
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filmography
|
80 minutes
practical effects
|
|
gptkbp:genre
|
gptkb:Author
|
|
gptkbp:influenced
|
French cinema
|
|
gptkbp:influenced_by
|
gptkb:existentialism
gptkb:French_New_Wave
gptkb:film
surrealism
silent films
|
|
gptkbp:influences
|
gptkb:Mad_Max
|
|
gptkbp:inspiration
|
graphic novels
|
|
gptkbp:is_motivated_by
|
survival instinct
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:main_character
|
gptkb:The_Soldier
|
|
gptkbp:motif
|
desolation
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:narrative_theme
|
survival of the fittest
|
|
gptkbp:notable_feature
|
minimal dialogue
|
|
gptkbp:production_company
|
gptkb:Les_Films_du_Losange
|
|
gptkbp:release_date
|
1983-05-11
|
|
gptkbp:release_year
|
gptkb:1983
|
|
gptkbp:runtime
|
80 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jean-Pierre_Jeunet
|
|
gptkbp:setting
|
post-apocalyptic world
|
|
gptkbp:sound
|
experimental
|
|
gptkbp:symbolism
|
isolation
the soldier as hero
|
|
gptkbp:thematic_element
|
hope
|
|
gptkbp:theme
|
gptkb:survival
|
|
gptkbp:bfsParent
|
gptkb:Gérard_de_Villiers
|
|
gptkbp:bfsLayer
|
6
|